: 


ff 
8 
9 
Q 
4: 
5 
4, 
S) 
6 
7 
3) 
9 
0 
nf 
Pa 
5 
ah 
5 


Price 


6000 
1250 
ORO 
O75 
795 
70 
675 
150 
RRO 
120 
100 
75 
90 
200 
200 
rae) 
550 
90 
150 


Buyer. 


A. Rudert Agent 
Dr. Beckman 

John Ringling 
Krayshaar Galleries 
JH Andrews 
J.A.Barkey 

Mrs. B. Wallach 

S. Sprague 
Ferargil Galleries 
Wm. Levy 
W.W.Seaman Agent 
J .M.Kaplan 
H.G.Henderson 
W.W.Seaman Agent 
Mrs. B. Wallach 
Wm. Levy 

Mr. Thompson 
Bagcock Galleries 
J. Wood 


. a pa 


139 
140 
141 
142 
143 


 ——— ae | 


-E.S.Webster 


M.Hillquit 
Wm. Levy 
Wm. Levy 
E.o.Webster 
E.S.Webster 
G.F.McKinney 
Durand-Ruel 
A. Michael 
H.E.Freeman 
E. James 

J. Wood 
R.J.Gilchrist 


 =£E.S.Webster 


Kraushaar Galleries 
Wm. Levy 

D.B.Reimer 

Newhouse Galleries 
BoesGa.tcnrist 
J.Wood 
D.B.Reimer 
H.E.White 
A.E.Tower 
C.James 

A. Michael 
H.H.P. Agent 
Wm. Levy 
Kraushaar Galleries 
M. Lewis 

Wm. Levy 

Jn. Levy Galleries 
H.H.P. Agent 
A.A.Tilney 

Wm. Levy 

H.H.P. Agent 
J-M.Andrews 

Milch Galleries 
W.C.Fish 
£$.S.Webster 
J.C.Willever 
J.H.Andrews 
Kraushaar Galleries 
Wm. Levy 

Wm. Levy 

Mrs. B.Wallach 

Mrs. P. Brown 

J -M.Kaplan 
N.C.Fish 

J -Woods 

M.Griswold 
J.C.Willever 
M.Griswold 

Wm. Levy 


S&F hi-: | ae  , <i ae pay 


145 80 
146 40 
147 75 
148 40 
149 218) 
150 50 
SOL *\) 225 
152 59 
153 900 
154 200 
154A 500 
155 L20 
155A 1100 
156 150 
157 500 
158 55 
159 720 
160 50 
161 45 
162 55 
163 50 
164 RO 
165 50 
166 50 
167 45 
168 3400 
169 950 
170 60 
L71 40 
aly g~ 500 
175 8 425 
174 400 
L175 140 
L76 ORO 
aT ak 
178 450 
179 R800 
180 550 
181 0900 
182 550 
186 5950 
184 500 
185 S25 
186 9500 
187 12000 
188 35200 
189 525 
190 8100 
191 35000 
192 400 
193 400 
194 500 
195 53500 


Buyer 


A.J.Jones 
Mr. Campbell : 
Ferargil Galleries 
Ferargil Galleries 
N.C.Fish 

Mrs. B. Wallach 
C.E.Moran Agent 
Wm. Levy 
H.G.Henderson 
Mrs. B. Wallach 
Mrs. B. Wallach 
Henry Chandler 
Macbeth. .Galleries 
Clapp and Graham 
Mrs. B. Wallach 
J.C.Willever 
E.S.Webster 

J .A.Barkey 
J.Weitzner 
J.A.Barkey 
R.J-Glenn 
J.H.Andrews 
R.J.Glenn 

Wm. Levy 

Wm. Levy 

Ferargil Gaileries © 
Dr. Beckman 

Wm. Levy 
J.Te.Jacods 
Kraushaar Galleries 
Milch Galleries 
A.E.Tower 
J.C.Willever 
Ferargil Galleries 
Ferargil Galleries 
Durand-Ruel 

Milch Galleries 
Durand-Ruel 

Dr. Beckman 
Kraushaar Galleries 
Wm. Levy 

A. Whitridge 

J. Woods 

Howard Young 
W.W.Seaman Agent 
Durand-Ruel 
Durand-Ruel 

M. Knoedler & Co. 
A.C.Goodyear 

A. Michael 
Durand-Ruel 
Durand-Ruel 

Victor Harris 


6000 
1250 
ORO 
O75 
75 
70 
675 
150 
220 
120 
100 
75 
90 
200 
200 
re 
550 
90 
150 


Buyer 


A. Rudert Agent 
Dr. Beckman 

John Ringling 
Krayshaar Galleries 
J.-H Andrews 
J.A.Barkey 

Mrs. B. Wallach 

S. Sprague 
Ferargil Galleries 
Wm. Levy 
W.W.Seaman Agent 
J.M.Kaplan 
H.G.Henderson 
W.W.Seaman Agent 
Mrs. B. Wallach 
Wm. Levy 

Mr. Thompson 
Bagcock Galleries 
J. Wood 


a Oh cart nat ne 
; 2 .s D4 “ 7 as A = : a 
ic. eee . “elk a e 
ra, & ?, ae —— ’ “ » «ee 2 
e - > % £ 4 3 4 ‘ 
t, =f pte, | ww : 7 . 
t we wy 3 \% P ing - - 
a a oe : = 
= £3 £ > €F } <2 ‘ - 
od “A. ae ee ip 
? => pele = 
Pi y - 6 
& 


ts 


ty "ie mt aT > 
MYR 


¢ 


_ a b 
-~ *, 7 > 
. ¢ * 


Y 


= 


é 


an 


“ik 
ee 


H 


1s sae 
Oe Oo 


7 * 
eo 
4 


bie a 4 
4 eo 7, $ 


— 


1350 

60 
60 

45 

50 

30 

45 

50 

15 

110 
35 

50 

55 

25 

40 

90 

| 65 
185 110 

136 55 

137 40 

138 40 
139 70 

1250 


- E.S.Webster 
yg Hbae 


“Ym. Le 


M-Hillquit 
Ga) Lavy 


+ LeVy 
E.S eWebster 
E.S.Webster 
G.F.McKinney 
Durand-Ruel 
A. Michael 
H.E.Freeman 
E. James 
J. Wood 
R.J.Gilchrist 
» E.S.Webster 
ar Galleries 


Newhouse Galleries 
R.J.Gilchrist 

J .Wood 

D.B.Reimer 
H.E.White 
A.E.Tower 


vy 
Kraushaar Galleries 
M. Lewis 
Wm. Levy 
Jn. Levy Galleries 
H.H.P. Agent 
A.A.Tilney 
Wm. Levy 
H.H.P. Agent 
J.M.Andrews 
Milch Galleries 
N.C.Fish 
£.S.Webster 
J.C.Willever 
J-H.Andrews 
Kraushaar Galleries 
Wm. Levy 
Wm. Levy 
Mrs. B.Wallach 
Mrs. P. Brown 
J.M.Kaplan 
N.C.Fish 
J Woods 
M.Griswold 
J.C.Willever 
M.Griswold 
Wm. Levy 
Miss M.Choate 


155 
155A 
156 
157 
158 
159 


1100 
150 


Ferargil Galleries 
Ferargil Galleries — | 
N.C.Fish 

Mrs. B. Wallach 
C.E.Moran Agent : ap 
Wm. Levy --. 
H.G.Henderson > oo 
Mrs. B. Wallach ~ 
Mrs. B. Wallach 
Henry Chandler a 
Yacbeth:.Galleries © 
Clapp and Graham 
Mrs. B. Wallach ; 
J.C.Willever ‘s— 
E.S.Webster | 
J.A.Barkey = 
J Weitzner ae. 
J.A.Barkey a 
R.J.Glenn en 
J.H.Andrews ae 
R.J.Glenn sav8 
Wm. Levy Tie 
Wm. Levy 
Ferargil Goldenseal 
Dr. Beckman 

Wm. Levy 

J.T.Jacobs 
Kraushaar Galleries 
Milch Galleries 
A.E.Tower 
J.C.Willever 
Ferargil Galleries 
Ferargil Galleries 
Durand-Ruel 

Milch Galleries 
Durand-Ruel 

Dr. Beckman 
Kraushaar Galleries 
Wm. Levy 

A. Whitridge 

J. Woods 

Howard Young 
W.W.Seaman Agent 
Durand-Ruel 
Durand-Ruel 

M. Knoedler & Co. 
A.C.Goodyear 

A. Michael 
Durand-Ruel 
Durand-Ruel 

Victor Harris 
W.W.Seaman Agent 


No. Price 
: a $ 35 
rs 15 
3 20 
4 50 
> 130 
6 100 
7 95 

Se >: 55 
9 50 

10 40 

ne? 35D 

LZ 65 

13 40 

14 LTO 

a Rs 50 

16. 80 

L7 90 

18 5D 
Use paneer 

ae Se: 

ee ets) 

25 85 

24 50 

ras) 65 

26 D0 

cade D0 

23 60 

29 130 

50 55 

bl 40 

52 d20 

55 00 

54 600 
55 225 

56 50 

57 dD 

58 210 

59 475 

40 150 

41 100 

42 120 

43 oO 

£4. 85 

45 475 


Po ee ee ee oe 
‘ 2 Or 


American Art Association 


April. 21 and 22, 


Buyer 


hd. Gilchrist 

Miss H.Fitzgerald 
Mr. Wm. Levy 
S.sprague 

Kraushaar Galleries 
Ch.5.Payson . 
E.&.Webster 
R.J.Gilchrist 
S.Sprague 
Kraushaar Galleries 
J Betis 

Wm. Levy 

H.C.White 

Mrs. Chauncey 

A. BE. Tower 

J. Wood 

Wm. Levy 


7 a Jd. Gilchrist 


G.M.Sidenberg 
WW, 25e — Af... Agent 
Wm. Levy | 
R.Jd.-Gilchrist 
Wm. Levy 
R.J-Gilchrist 
R.Glenn 
H.C.White 
J.Wood 
R.A.Solomon 
H.C.White 
Wm. Levy 
JeWiood 
F.K.M.Rehn 
Wm. Levy 
M.Griswold 
F.S.Kershaw 
Red <Gill 
R.Glenn 
Kraushaar Galleries 
R.Glenn 
A.A.Tilney 
Milch Galleries 
H.R.Hayes 
R.J.Giel 
A.E.Rueff 
H.E.Russell Agent 


No. 


54 
55 


6 


57 
58 
59 
60 
61 
62 
63 
ya 


85 
84 
385 
86 
87 
88 
89 


90 


1927. 
Price 


E.S. Webster | 


360 Miss M.Choat or 
400 Kraushaar | Ga. 
2600 Howard Young 
a5 G.F.McKinney 


oe trope 


Se elt bai vera a otemiemmtdeeemtemmmmieetore ieee] ‘ . 
AOR Ny jn SES 


Sie ES 

py ee 

nei et FF. 
i) 


lage’ Mie Auttioned for'$15.700, 


xe for an American Watercolor 


Fat 
a water color at a tor and is Gi tha aillaie aistaniey 
aka wanetiee in bright sunshine. He is carrying on 
2 M. Knoedler | his shoulders and over his head his in- 
r “The Portage,” verted canoe, The rapids in the stream 
— American | glisten in the sunshine. In the distance 
Pet the edge of a wood bounds the picture. 
My oc was the fea-| G. F. McKinney ‘paid $6,000 for 
fete » sale of art) Claude Monet's ‘Fishing Boats at 
collectic Bae Sas mmaiiele 26 inches tong 208 204 Ti 

fies. The wide. E. S. Carter paid $5,000 for a 
yes henry iby canvas depicting a farm scene in rural 
kgm ng tt It is signed by Monet and 


mo id ling ‘the Boston Museum of Fine Arts. Mr. 
er also bought ‘“Coucher du 
eil,”” by Monet, for $3,500 — “La 
sone another Monet for $3,700 

“Les Bords du Loing a Moret,” the 
t4 MA “a bie hg iy was bought for 
in gray owa. oun 
2 ey up- me amount realized at last night’s 
rom the specta- sale was $59,905. 


tee 


Ww YORK, 
EVENING WORLD 


\PR 221927 


= om s.* 
. - 


— 


Saat (RECORD PRICES 
| YS $12,000 | FOR WATERCOLORS 
Al AUDE MONET 


Knit 


Winslow Homer’s “The Port- 
age” Brings $15,700 

A record price for a watercolor was 

made last night when Winslow Homer’s 


“The Portage” brought $15,700 at th» 
first session of the sale of paintings 


7? See 
' i . a ~ t- Rensselaer, 
, oe 
. ' ho Pays $6,000 
Mo fonet outdoor painting Of = cojlected by the late Desmond, Fitz- 
, A and child, seated On ® Gerald of Brookline. Mass., in the 
Pobebk with a background Of, armerican Art Association Galleries, M. 
‘blo brought $12,000 tongedicr so. amebonght it. It pic- 
: at the closing tures a sportsman walking up a grade, 
his head and shoulders covered by an 
Association Gal- inverted canoe, and is one of the oest 
the buyer, @180) 3=nown of Homer’s works, having been 
“Spring at exhibited frequently as a loan. 
129 for Bere? Mr. FitzGerald specialized in paint- 
t's “The Confes- ings of the impressionist school, end 
while Sargent was in- such were the principal offerings las 


1 finall Mrs. Caroline 81.750. <A river scene at Trouville by 
ies Louis Eugene Boudin went to WwW. W. 


“Isle How- 
oat a pag sae still view by Boudin for $1, 150. 


Damad Buel bought 


NEW YORK 
WALL ST. JOURNAL 


APR 231927 


Tyro d 
t the beginning night. M. Knoedler & Co. got Alfre 
War, ¢ 7 Hee reed bid- Sisley’s “Paysage sur la Loing” for 


$6,000. 
Gall for Seaman for $1,500. The Kraushaar 
ae ae some Galleries bought a Villefranche water 


nt te 
es 


Water tor 


Winslow Homer 
Nets $15,700 


*The Portage,’ Dow Done in 1897, 
Sells to Art Firm at Record 
Price “for ~highter-Than- 
Oil Mediums on Paper 


A water color by Winslow Homer, 
N. A., established a record last night 
by selling for $15,700 to M. Knoedler 
& Co., the New York art TP ?ertne 
opening sale of the Desmond Fitzgerald 
‘collection of paintings by French and 
American artists. The sale, held at the 
American Art Galleries, brought a total 
of $59,905 and included many paintings 
of the Impressionist school, as a collec- 
tor of which the late Boston civil en- 


| gineer was celebrated. Remaining and 


| yet more important specimens are 
ig hte for sale to-night. 


The water color entitled “The Por-. 


tage” was painted by Homer in 1897, 


being one of his well known pictures, 
of the North Woods. It has been ex- 


hibited at the Boston Museum and 


the highest ever paid at publie or 
private sale for a painting in the 


foaming white between rocky banks. 
A sportsman is seen in the middle dis- 
tance bearing an inverted canoe over 
his head and shoulders. 

Landscapes by Claude Monet and Al- 
fred Sisley, French Impressionists, fig- 
ured fot og gy 2 in the sale, as did 
water colors by Twachtmen and Dodge 
Macknight, the American contemporary. 
The second highest price was $6,000, 
however, pas for a French coastal sub- 
ject, “Fishing Boats—-Isle de Groix,” by 
Henry Moret. The buyer was G. F. 
McKinney. Monet's “Rural France,” a 
view of a hillside with cottage and 
trees, aglow with the broken color 
characteristic of this school, was sold 
for $5,000 to E. S. Carter, who also 
paid $3,500 for Monet's “Coucher du 
Soleil Sur La Seine,” a luminous win- 
(‘ter sunset effect, and $3,700 for the 
same artist’s “La Cabane,” showing an 
isolated hut in a clearing. 

Other important sales were Sisley’s 
“Les Bords Du Loing a Moret,” which 
was sold for $2,600 to the Howard 
|Young gallery; Maxime Maufra’s “A 
| Port at Belle Ile,” to W. W. Seaman, 
agent, for $1, 500; Sisley's “Paysage 
Sure Le Loing,” to M. Knoedler, for 
$1,750, and Boudin’s “Le Quai a. Ville- 
franche,” to C. W. Kraushaar, for 
$1,150. 

The water color “Windmill on the 
Sandflats,” by Twachtman, brought 
$750, selling to Seaman, agent, while 
F. S. Keyes paid $525 for “Snow,” by 
Dodge Macknight, The latter’s “Hibis- 
cus,” a Mexican scene, sold to Russell, 
agent, for $475, the same price given 
by Miss Mabel Choate for his “Mending 
in the Sunlight,” and by Richard North 
for “The Red House,’ “Winter” and 
“Coastal Scene.” 


eR 


other art galleries as one of the) 
finest works of the master of Ameri- | 
can water color. The price is believed | 


lighter-than-oil medium on paper. The | 
picture shows the rapids of a river 


— - a ep 


r ther oli ly 


CDOCL : ee 7 
FREE PUE LIC -EXHIBI : ION 


oes Sprinday y Apt il 16, 1927 To Time a Sale : 
~ — 10 6° - Sunday 2 to 5 


id pe ee 
ae 
: », wrest ile 


‘ JIN STRICT ED PUBLIC SALE 7 "a 
; “Thurs ay ee Friday Evenings: April 21 & 22 aa 


Baer: 


AEE beginning at 8:15 O'clock 


Lene agate 


_ EXHIBITION & SALE AT THE 


~ American Art Galleries 
2: oe Madison Avenue’56th to 57th Street 
oe Pe . New York City 


sis a 


'\ ee tw hei ans 


SALES CONDUCTED BY 
Mr. O. Bernet and Mr. H. H. Parke 
American Art Association: Inc 


MANAGERS 
1927 


th OF ® ee ee a a | — 
- ae = tah) is ee Tle - £ 
rae ah. § 4 Le a . iy ; 
: a eT , 4 


‘PAINTINGS BY THE 
_ IMPRESSIONISTS 


ze =% ; | 

Collection of the late Desmond FitzGerald 

ee. ie SOLD BY ORDER OF THE HEIRS 

Harriet F. Clark » Caroline Van Rensselaer 
Harold and Stephen FitzGerald 


Including Important Works By 
Monet 1 Renoir 7 Sisley » “Degas 
Pissarro » Maufra + Sargent 

Macknight & Homer 


aay 


Under Management of the 
AMERICAN ART ASSOCIATION 


INCORPORATED 
New York 
1927 


in copying om necessary in formation from the 


: records of the Association. — = 


= _ The AMERICAN ART ASSOCIATION: Inc 


Designs its Catalogues 
and ‘Directs -All Details of Illustration 
scat Text and Typography 


Conditions of Sale 


CMAP,» 


_ 1. Reyection or Bins. Any bid which is not commensurate with the value of the article 
offered, or which is merely a nominal or fractional advance, may be rejected by the 
auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 
2. THe Buyer. The highest bidder shall be the buyer, and if any dispute arises between 
two or more bidders, the auctioneer shall either decide the same or put up for re-sale 
the lot so in dispute. 

_ 3. IbENTIFICATION AND Deposir sy Buyer. The name of the buyer of each lot shall be 

_ given immediately on the sale thereof, and when so required, each buyer shall sign a 
card giving the lot number, amount for which sold, and his or her name and address. 
@, A deposit at the actual time of the sale shall be made of all or such part of the 
purchase prices as may be required. (J, If the two foregoing conditions are not complied 
with, the lot or lots so purchased may at the option of the auctioneer be put up again 
and re-sold. 

4- Risk arrer Purcuase. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter the property is at the purchaser’s risk, and neither the consignor nor the 

_ Association is responsible for the loss of, or any damage to any article by theft, fire, 
breakage, however occasioned, or any other cause whatsoever. 

| 5. Dexivery or Purcuases. Delivery of any purchases will be made only upon payment 

bg of the total amount due for all purchases at the sale. 

s 6. Recerwtep Brits. Goods will only be delivered on presentation of a receipted bill. 

| A receipted bill presented by any person will be recognized and honored as an order 
by the buyer, directing the delivery to the bearer of the goods described thereon. If a 
receipted bill is lost before delivery of the property has been taken, the buyer should 
immediately notify the Association of such loss. 

7. STORAGE IN DeFAULT oF Prompt PAYMENT AND CALLING FoR Goons. Articles not 
paid for in full and not called for by the purchaser or agent by noon of the day following 
that of the sale may be turned over by the Association to some carter to be carried to 
and stored in some warehouse until the time of the delivery therefrom to the purchaser, 
and the cost of such cartage and storage and any other charges will be charged against 
the purchaser and the risk of loss or damage occasioned by such removal or storage will 
be upon the purchaser. (J, In any instance where the purchase bill has not been paid 
in full by noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation in these conditions of sale notwithstanding, in 
respect to any or all lots included in the purchase bill, at its or his option, either to 
cancel the sale thereof or to re-sell the same at public or private sale without further 
notice for the account of the buyer and to hold the buyer responsible for any deficiency 
and all losses and expenses sustained in so doing. 

8. Suippinc. Shipping, boxing or wrapping of purchases is a business in which the Asso- 
ciation is in no wise engaged, but the Association will, however, afford to purchasers every 
facility for employing at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part for the acts and charges 
of the parties engaged for such service. 

9. Guaranty. The Association exercises great care to catalogue every lot correctly and 


dq 


> eh, Thee 


Io. 


II. 


endeavors therein and also at the actual time of the sale to point out any error, defect — 
or imperfection, but guaranty is not made either by the owner or the Association of 
the correctness of the description, genuineness, authenticity or condition of any lot and — 
no sale will be set aside on account of any incorrectness, error of cataloguing or imperfec- 
tion not noted or pointed out. Every lot is sold ‘as is” and without recourse. (J, Every 
lot is on public exhibition one or more days prior to its sale, and the Association will 
give consideration to the opinion of any trustworthy expert to the effect that any lot 
has been incorrectly catalogued and in its judgment may thereafter sell the lot as cata- 
logued or make mention of the opinion of such expert, who thereby vill become respon- 
sible for such damage as might result were his opinion without foundation. 
Recorps. The records of the auctioneer and the Association are in all cases to be 
considered final and the highest bid shall in all cases be accepted by both buyer and 
seller as the value against which all claims for losses or damage shall lie. 

Buyinc on Orper. Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph, or telephone, if conditions permit, will be 
faithfully attended to without charge of commission. Any purchases so made will 
be subject to the foregoing conditions of sale, except that, in the event of a purchase of 
a lot of one or more books by or for a purchaser who has not through himself or his 
agent been present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will be re- 
funded, if the lot differs from its catalogue description. (J, Orders for execution by the 
Association should be given with such clearness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids should be stated to 
be so much for the lot, and when the lot consists of one or more volumes of books or 
objects of art, the bid per volume or piece should also be stated. If the one transmitting 
the order is unknown to the Association, a deposit must be sent or reference submitted. 
Shipping directions should also be given. 


‘These conditions of sale cannot be altered except by the 


auctioneer or by an officer of the cAssociation 


OTTO BERNET : HIRAM H. PARKE - cC4uctioneers 


AMERICAN ART ASSOCIATION - INC 
Managers 


paintings, was a civil engineer of repute, with a wide reputation 
a _ among lovers of the Impressionist paintings. He was an early enthusiast 
for the truth and beauty which he saw and felt in the art of the Impres- 
a sionists—not a late convert to the cult. He was early a friend of Claude 
oa Monet and a buyer of his paintings. And of course he did not stop with 
ee / Monet’s productions, but reached out for the works of others who saw 
~ not with Monet’s eyes but who worked on principles which he revealed to 
them. Among Americans he was with the late Mr. Sutton, of the American 
Art Association, in his admiration and patronage of the great French 
painter. He was among the leaders in Boston in his service to art, and 
visitors to the Hub who hurried to the gallery of Mrs. Jack Gardiner were 
not delayed in visiting the gallery which Mr. FitzGerald built for his pictures 
at his home in Brookline. His collection was frequently drawn upon by the 
Boston Museum of Fine Arts. 

His selections prompted the query whether he was himself an artist 
by profession or as an avocation. He was not, but was an accomplished 
draughtsman, and his taste and knowledge, both assiduously cultivated, led 
to a proficiency of judgment which left an impression on beholders of his 
selections. Besides his numerous Monets, he acquired many works of 
Maufra, a Renoir, a Degas, a Sisley, a Pissarro, and examples of other 
foreign artists. He also possessed a John Sargent, a Winslow Homer water 
color, and works of many little known but worthy American artists 
whose talent he was quick to recognize. Among these is an aquarellist 
better known in Boston than in New York, Dodge Macknight, who was 
never permitted to reach the New York market because Boston so quickly 
absorbed his works. He is a painter of atmospheric color of notable ability, 


as will be seen in the examples of his work here to be found. 


Dana H. CARROLL 


—  - 


Ss i 


FIRST SESSION ~ APRIL 21 AT 8: I5 P.M. 
Catalogue “Numbers 1 to 114 Inclusive 


ALICE HIRSCHBERG 
American: Contemporary 


' x. j A WILLOW {Water Color] ; (9 - Y 9b Anh Sr 
- An aged, short and pollarded willow grows at the left in the middle 
_ distance, just beyond a rail fence. The fields on either side of the 


= fence are green, and in the foreground daisies are growing. 
Signed at lower left, Auice Hirscupere, 1886 


Height, 7 inches; length, 9% inches 


WALTER GOLDSMITH 
Contemporary 


2, HOUSE IN THE COUNTRY [Water Color}, 0 AK by 


In front of a house in the country, of French aspect, hich lies in’ 
the middle distance on the left, a man is seen driving a two-wheeled 
cart toward the right, followed by a dog. On the right in the fore- 
ground a bushy tree overhangs the road. 
Signed at lower left, GotpsmitrH, 1880 

Height, 7 inches; length, 10 inches 


ALEXANDER ROBINSON 
American: 1867— 


. DRIVING HOME THE FLOCK {Water Color] My Hr 


A country road bordered by tall trees and flande by green pastures, 
with here and there low farmhouses. In the middle distance a 
shepherd and his flock. 
Signed at lower right, AL. RoBINsoN 

Height, 9 inches; width, 5% inches 


fy, 


/, ; 


ie 


- NTON MAUVE 
Dutch: 1838—1888 


a, a : : 
4. THE WHITE COW {Panel} - qe pipe 
Portrait of a white cow with a black neck and a WO het) 
face, standing in the foreground athwart the view. Light illumines 
her coat from a sun almost directly overhead. | 


Signed at lower right, A. Mauve “a 
Height, 8 inches; length, 11 inches 


C. SERRET 


Contemporary 


CHILDREN {Pastel} Pao ta 


An interesting house stands in the background, at the end of a nar- 
tow lawn. In the foreground on the left a small girl seated on a 
carved stone fence or bench is supported by one slightly older who 
stands behind her, and at the end of the fence stands an older girl 
who carries a small child in her arms. 


Signed at lower right, C. Szrret 
- Height, 12% inches; width, 8 inches 


CHILDE HASSAM, N.A. 


American: 1859— 


DUTCH FIGURES [Water Color} Lue t by yor 


Done in Holland, the drawing exhibits half a dozen outed strolling 
beside a stream, white sand under their feet and the atmosphere 
brilliantly illuminated. In front are a man and a young girl, ap- 
proaching the spectator, followed by a man who saunters alone. In 
the distance are figures going in the opposite direction. All are of 
the peasantry. 


Signed at lower left, Cumtpz Hassam, Holland, ’87 
Height, 11 inches; width, 8Y% inches 


{See illustration } 


No. 6. DUTCH FIGURES 
By HASSAM 


A GLIMPSE OF THE PAINTINGS IN THEIR ORIGINAL SETTING 
THE FITZGERALD GALLERY, BKOOKLIINER VAS | 


a 


hua a 
oe AL amt ROBINSON 


, A er Gi Mbt 


ET UNDER UMBRELLAS [Water Color] 


ges se 


large green umbrellas overshadow long trestle tables on 
=r nders display their wares. A quaint old market 


Height, 134 inches; length, 19/4 inches 


aaa 


ee eoowil |B 
a ee Belgian: Contemporary 


WERP [¥ [ Water Color} by. Nhberwt 


ae. preen . waters of the Scheldt divide the scene laterally. In the 
tor eground a vessel with unfurled sail and flying pennant. Ant- 
werp’ s skyline is seen in the distance, the spire of its famous cathedral 


fo far above the other buildings. 
Signed at lower left, J. WiTTE, ’o9. 


Nota Height, 10 inches; length, 13% inches 


ee Se Rape eR Py age ET t-  T 


PHILIP LESLIE HALE, N.A. 
American: 1865— p 


rT ee RO EP SL See 


PORTRAIT OF A YOUNG LADY [Crayon] 


Portrait head of a young lady with dark eyes and wearing a round hat 
with a broad brim, tilted back. She is facing the right, three-quarters 
front, and wears a lace collarette. 


Signed at lower left, PHmie L. Hate 
Height, 14% inches; width, 10, inches 


yp - 


re 


20 


THE FITZGERALD Sry 


ROSA BONHEUR 


French: 1822—1899 Youths - 


10. THE KING OF BEASTS AT HOME 1Gaee Drawing} 


In the foreground a huge lion is lying on the ground, with forepaws a 
extended and head up, looking fiercely at the spectator. Back of 


Il. 


Ree, 


him a lioness is lying down, asleep and secure. In the background __ 
at the left is another lioness who has been lying down at rest but has 
raised her head to look alertly at the spectator. The lower trunks 


of a few trees are observed in the background. 


sence at lower right, R. BonHEUR 
Height, 14% inches; length, 224% inches 


NELLIE LITTLEHALE MURPHY 
{Mrs. H. Dudley Murphy} 


American: 1867— 


Ch Oe 
HIBISCUS {Water Color}. Ge AG 


Depending branches of finely colored flowers, with a perched exotic 


bird. 


Signed at lower right, N. LirrLeHALeE Murpny 


Height, 2114 inches; width, 15 inches 


FREDERICUS JACOBUS DU CHATTELZ 


Dutch: 1856— 


12. FERME AU BORD DE L’EAU [Water Color iH. de 


At the left a placid silvery stream enters the scene accompanied /by a 
narrow wandering path bordered at the right by slender stately trees 
and leading to a farmhouse in the distance, hidden among heavy 
sombre foliage. 


Signed at lower left, Fre. J. pu CHATTEL 
Height, 12% inches; width, 9 inches 


I - ” s ; “J is Pw : 
pete <> a r, iy be od 
aie 3 ‘gue ! 5 2 ae , a: 
rn 


i 


: FI TZGERALD COLLECTION 


‘e ke 
JAN. HENDRIK VAN MASTENBROCK 
se hap Dutch: 1875— 


| ‘CANAL SCENE IN WINTER {Water Color] uy (& Wide 
wf r nthe foreground the snow covered quay, where men are loading carts 
Dm a the barges moored in the canal. Upon the opposite bank rise 
e bui dings of a large city. 
Signed : d at at lower left, J. H. vAN MasTensrock, and dated 1900 
| Height, 8% inches; length, 12% inches 


ALEXANDER ROBINSON 


Ens 


asy ae G8 American: 1867— 
ee 7 ee A 
Aca : v ERONA {Water Color] fe tlamnely 


In the foreground a walk shaded by trees curves sharply to the right. 
In the distance at the left, the dome and campanile of St. Georgio. 


'— Signed and dated at lower right, ALEXANDER Rosinson, Verona, 
1905 


ore. j 
oe nee a 


Height, 17 inches; length, 24, inches 


NELLIE LITTLEHALE MURPHY 
{Mrs. H. Dudley Murphy] a 
American: 1867— fs re Tour? 


. DOUBLE HIBISCUS AND JASMINE {Water Color] 
Colorful rendering of the flowers massed in studied arrangement. 


Signed at lower right, N. LirrLeHALE Murpnuy 
Height, 21% inches; width, 15 inches 


ee 
* o. ahd 

. ee ‘og 7 = 
- gs 


22 THE FITZGERALD COLLECTION | 


ANDREMASS [?] & and a 
16. STREET SCENE IN HOLLAND [Water Color] a 


. A natrow city street, its pavement glistening from a recent downpour, _ 
y ) im peopled with pedestrians, trucks and push carts. Above, a narrow 
: expanse of gray rainy sky. oe ee 


SS 


Signed at lower left, ANDREMAss 


Height, 20 inches; width, 13¥% inches 


ALEXANDER ROBINSON 


American: 1867—- yy, 
Hn | 


17. VERONA {Water Color] 


A shaded walk flanked by lowly shanties at the left and a low parapet 
at the right accompanies the Adige in its course. In the distance 
d ae the Duomo rises majestically against a background of soft green hills. 


Signed at lower left, ALEXANDER RoBINSON, Verona, 1906 — 


Height, 17 inches; length, 244% inches — 


JAMES KINSELLA 
American: 1857—1923 


18. A BIT OF HOLLAND [Water Color} // Pbelairced 


On the left is a canal, straight with irregular borders in the fore- 
ground, and wandering away in the distance, where beyond a trans- 
verse stream is seen a low shore with a windmill among its buildings. 
In the foreground on the right is a low shore on which stands another 
windmill, near some trees and a low cottage, in front of which 
a peasant woman is seen. Against the bank of the stream a working 
boat is moored. 


Signed at lower right, J. KINSELLA 
Height, 9% inches; length, 13% inches 


rh ae * « a _ ® 
at ins ie. oe 
Arse oe a ee iA aa es - 


a 


TH E a ITZGERALD COLLECTION 


Beh (CARLA KOSTER 
erg Dutch: Contemporary 


19. TULIP TIME { Water Color} L 4h dedintoeg 


Two "aa of vivid red and yellow tulips in the foreground enliven 
ano herwise somewhat monotonous landscape encompassed by farm 
bull Idings ss. In the foreground a velvety green pasture and the gnarled 


f ton rrunks ks of aged trees. 
‘Si nec at lower tight, A. L. Koster 


th : > Height, 11 inches; length, 17 inches 


_ JOHN HENRY TWACHTMAN 


: _ American: 1853—1902 pe ‘Of v4 
Guna, AY? . 
_ WINDMILL ON THE SANDFLATS [Water Color} 7 


as “On the verge of a wide expanse of sandy marshes, with water plants 
growing in the foreground, a windmill is observed in the distance on 
g in — the right, with isolated trees and a low building its close neighbors. 


.* at lower left, J. H. Twacutman, 786 
Height, 12% inches; length, 15'/ inches 


ALEXANDER ROBINSON 
American: 1867— ; 


VILLAGE STREET {Water Color] vy pik ory 
The massive stocky tower of a Gothic church looms imposingly above 

a quaint street of low humble dwellings with peaked red tiled roofs 

and paved with cobble stones. 


Signed at lower right, A. Robinson 
Height, 18 inches; length, 25 inches 


24 THE FITZGERALD COLLECTION® 


NELLIE LITTLEHALE MURPHY 
American: 1867— 


dev 
22. FLOWERS [Water Color] CG Uj dit E 


A still life of fascinating color—flowers red and pink and a mass of 


: 5 — leaves of rich green, with occasional brownish stems in sight, in bright _ 
. sunshine. ae 
Signed at lower right, Netum LirtLeHALE Murpny $ ‘ 


Height, 144% inches; length, 20% inches 


ALEXANDER ROBINSON 


American: 1867— 


23. HOLLAND [Water Color] a , ry 
rving to left 


A broad canal fills the foreground and extends back, cu 
in the distance. Working boats, laden and light, are massed together 
Y A 2 with sails variously up, along the left, and other boats of different 
lines lie along the right. The water in slow movement is brightly 
lighted and marked by reflections. 
Signed at lower left, ALEXANDER Rosinson, Holland, 1905 
Height, 18% inches; length, 24% inches 


EF. NEWELL MARSHALL 


Swiss: Contemporary 


) De fh / 
24. PARROT AND FRUIT {Water Color] (; ¢ | Wa yap 


In the foreground a green parrot seated on a table is eating a fruit 
from a tall dish of fruit of different varieties. Back of the bird is 
Fd eae a rich bouquet of flowers of many colors. 


Signed at lower right, E. Newert MarsHAty 
Height, 13 inches; length, 17 inches 


Exhibited at the Panama-Pacific Exposition 


ra 9 Sar” Ay ; 
np i Pe 5 


oe Z (= <! 
ie 4 ee Ly 


Phe 


, 7 
Ae iy 


* 
dine, nde - 


HE | FITZGERALD COLLECTION 

E. vam 7 x : i 
‘ALEXANDER ROBINSON 

American: 1867— 


| RIDGES AT FLORENCE {Water Color] (r. Bi e2 


t s the river running from the left foreground to the central 

ni dle e distance two bridges are observed, and the stream in the fore- 
if ase is dappled Bile raciiie shadows. On the right are barges 
with in the stream; two people are looking over the rail 


AA aig 
the bridge, and on the left the river is lined with buildings of the 
tg 
a | ‘mam at lower right, ALEXANDER Rosinson, Florence 

ae. 184 inches; length, 24¥. inches 


| JOHAN HENDRIK VAN MASTENBROCK 


tch: 1875— 
eameal VO Rh 


46. DUTCH CANAL SCENE [Water Color] 
A small placid stream enters from the right and slowly winds its way 
through the village, low houses with red tiled roofs rising at either 
side. 
_ Signed at lower right, J. H. van Mastensrocx, and dated 1900 


Height, 12 inches; length, 21 inches 


ADRIANUS JOHANNES GROENEWEGEN 


Dutch: Contemporary 
I Minl 
27. PLOUGHING [Water Color] 

A vast expanse of dreary field unrolls before the observer. In the 
5, — foreground moving away from the onlooker, a horse drawn plough 
U steered by a husky farm hand clad in a blue blouse. 


Signed at lower right, A. J. GROENEWEGEN 
Height, 13% inches; length, 20 inches 


26 


THE FITZGERALD COLLECTiOS 


PAUL OP {CLT ta 


American: Contemporary i Vi be | 


28. OLD WEIR, MAC MAHAN ISLAND [Water Color} 


Two pine trees stand at the right of the foreground, at the border 
of a lake which is whitened by brilliant sunshine. A sailboat anchored 
off shore casts its shadows on the lightly ruffled water. At left 
hangs an old fish net, on posts. 


Signed at lower right, Paux P. Littie, ’24 
Height, 13% inches; length, 19% inches 


JOHAN HENDRIK VAN MASTENBROCK 


29. 


30. 


Dutch: 1875— 


HARBOR SCENE {Water Color] Ma (7, hk 


Numerous barges and other river craft forming a forest of masts 
are moored everywhere about the narrow harbor. On the opposite 
quay rise the facades of old warehouses. 


Signed at lower right, J. H. van MasTENBRock 


Height, 13% inches; length, 22 inches 


WILLEM CORNELIS RIP 
Dutch: 1856— 


MARSHLAND [Water Color] ton. Len 


In the foreground at the right two cows are drinking from a shallow 
pool against a background of low bush. At the left vast pastures 
teach into the horizon. 


Signed at lower right, W. C. Rie 
Height, 19% inches; length, 1334 inches 


x ’ 

’ ie hoa — - oad 
_ a a x r 
- ees hes a 

- Cee a ae a aes ed : 


E5 = 


FITZGERA LD_ “COLLECTION 


— he 
a" 


a “ie ay, = 
ADRIANUS JOHANNES GROENEWEGEN z 
is gs -% - Dutch: Contemporary $3 


pv) 


31. Ci ; ITTLE IN PASTURE [Water Color} He Viordé 
eee oreground three cows, grazing and reclining. At the left 
a drinking trough and in the distance a farmhouse vaguely discern- 
ug! h the trees surrounding it. 
8 
at lowe left, A. J. GRoENEWEGEN 


u Height, 14 inches; length, 20% inches 


ee > MAURICE B. PRENDERGAST 


——— § 


at American: 1860— 


~ 


TUDY OF FLOWERS {Water Color] f. A fh hy), Pe 


‘ “S ection of a garden filled and overflowing with poppies of varying 
reds. Thickly as they are growing each is individualized in the 
_ painting, and the whole presents a most agreeable garden. 

ee _ Signed at lower right, PRENDERGAST 

Height, 13% inches; length, 19 inches 


: 6 aie At. RIDLEY 
fe a j Contemporary 


- _ 
q 


3 MOORISH SCENE {Water Color} 


Before a building of Moorish architecture, in an arch of which men 
are sitting, a group of men are seated on a diagonal wall, seemingly 
engaged only in conversation. In the right foreground a tree leans 
before the wall and toward the archway where the other men are 
sitting. 
Signed at lower left, A. L. Rietey, 1923 

Height, 14 inches; length, 18% inches 


y fo the shore on the left with a shallow crescent cove. The ne 


Bs leafless. In front of it on the right is the river, with a bridge in view 


THE FITZGERALD COLLECTION 


oe FRANK WESTON BENSON 
& American: 1862— 


34. GRAY MORNING [Water Color] A. we. 
A gray stream on the right, filled with beguiling soflecae a a ’ 


cae at lower left, F. W. BENson 
Height, 141% inches; length, 20% inches 


{See illustration } 


5 & W. DODGE MACKNIGHT 


American: 1860— 
ee 
SNOW [Water Color} | AS fonbaur 


A flat valley in the foreground is covered with snow, a few trees at 
i - lower left casting their shadows upon it. In the distance it is bound- 
ed by hills which are partly snow-covered and Bee obscured under 
red shadows. 
Signed at lower left, Dooce MackNIGHT 
Height, 14¥% inches; length, 21% inches 


[See illustration } 


ART HUR CLIFTON GOODWIN 
American: 1866 


36. ESPLANADE, BOSTON {Pastel} (7 ; LW 


Green turf with some irregularities extends from the foreground to 
the distance, on the left, and the land is dotted with trees which are 


in the distance, and along the hither bank are benches, some of which 
are occupied by men and women idlers. 


Signed at lower left, A. C. Goopwin 
Height, 13 inches; length, 19 inches 


No. 34. GRAY MORNING 
By BENSON 


No. 35. SNOW 
By MACKNIGHT 


31 
a F. A. McCLURE 
— te . > American: Contemporary 
oa 37: BOATS HAULED OUT [Water Color] he haw 


On a steep shore descending to unseen water on the right lie a small 

catboat and a large tender. Beyond them is a house with wings on 

different levels. The corner of a colorful bluff comes into view in 

the left foreground. 

ae ae at lower left, F. A. McCiure 
. Height, 19% inches; width, 12% inches 


| Echibited at Aa Boston Art Club 


a 
| JOHANNES HENDRIK WEISSENBRUCK 
2 Dutch: 1824—1903 


B ey, os IN HOLLAND {Water Color} 

‘ee Low cottages in middle distance on the left face a rambling canal 
ie which extends from foreground to distance, and across the canal on 
7) | f) _ _ the right is a flat grassy shore, which displays a windmill in middle 


distance and some low structures in the distance. 


hype baer Ba he 


Signed at lower right, J. H. WetssENBRUCK 
Height, 1914 inches; width, 14¥% inches 


i P< FRANK WESTON BENSON, N.A. 
American: 1862— De ee 
hi A leurr 


39. PHLOX {Water Color] 
In an ovoidal porcelain pitcher the reflections from whose surface 
have the effect of decoration, and which stands in a wide-spread- 
i? i. ~ ing bowl, is a large bouquet of phlox of delicate coloring. The table 
/ / , covering and the background are both dark, making the flowers and 

the pitcher most effective. 

Signed at lower left, F. W. BENson 

Height, 19% inches; width, 15¥ inches 


32 


41. 


42. 


THE FITZGERALD COLLE CT ION 


A. T. VAN seen 


Dutch: Contemporary iy | 
. SPRINGTIME IN HOLLAND [Water Colic} 


A sandy country road dappled with sunlight and bordered by trees 


shyly displaying their first tender green leafage. A woman 1 and child = 


are slowly walking away from the observer. 


Signed at lower right, A. T. VAN DriesTEN | 
Height, 19% inches; width, 12% inches — 


VLADIMIR PAVLOWSKY 


Hungarian: Contemporary 9 L if J 


HARBOUR ENTRANCE {Water Colort 


A narrow channel of blue water puts in from the right, across the — 
middle distance. Beyond it is a rocky shore which tapers in either 
direction, and in the foreground a low rocky shore broadens out in 
either direction, the whole in soft colors of low key and engaging © 
quality. 

Signed at lower right, VLapimir PavLowsky 


Height, 14/4 inches; length, 1914 inches 


HARRY SUTTON, JR. 


American: Contemporary 


WINTER [Water Color] | . Wr ia 


A bleak landscape of rolling land is presented in bright sunshine, the 
hillocks crowned with small evergreen trees which appear almost 
black against the snow. In the foreground there is some bush. 
Signed at lower right, SUTTON, ’o5 

Height, 14 inches; length, 20 inches 
Exhibited at the Exhibition of the Boston Society of Water Color 


Painters 


THE FITZGERALD COLLECTION 33 


‘SUSAN B. BRADLEY 


oo BAKER’S ISLAND, MOUNT DESERT, MAINE Weer 
_ Color] | 
Masses of rocky ledges on the left, and one protruding nearly all 
the way across the picture, in the foreground, are whitened by the 
brilliant sunlight, and in the background on the right the tops of 
green trees, against a whitish-blue sky. 
Signed at lower right, Susan B. BrapLey 
Height, 14% inches; length, 22 inches 


Exhibited at the Pennsylvania Academy of the Fine Arts 
_ Exhibited at the Philadelphia Water Color Club 


DWIGHT BLANEY 


|e The pond enters the picture in the left middle distance—its surface 
- a light blue in the sunshine. In the background a wooded country- 
| side, which continues around on the right, connecting with the low 
x 5 - foreground. Here are more trees and bushes, and on the flat lies 


a rowboat or small launch. 


Signed at lower left, Dwight BLANEy, 1924 
Height, 14% inches; length, 201 inches 


W. DODGE MACKNIGHT 


45. HIBISCUS [Water Color} 


_- A Mexican scene. The corner of a low building with extended tile 

Y h - roof, and a birdcage hanging on the outer wall near an open door, 
7 is seen at the right foreground, and a similar building crosses the 
[Continued 


American: 1851— ¥) } Gil 


American: 1845— : ea iY, y 
. TIHONET POND, WAREHAM [Water Color} “‘ ~~ of 


American: 1860— Diff) WH 
&. 7 Nwraoll apt 


34 


THE FITZGERALD COLLECTION 


No. 45. Concluded 


s 


background. In the foreground at the left are flourishing mee 4 _ | 
of hibiscus, whose blossoms contribute color to the scene in the bright = 


~ sunshine. 


~ 


— 


Signed at lower left, Dooce MacknicHT 


Height, 14% inches; length, 2134 inches 


W. DODGE MACKNIG 


H 
American: 1860— a) dt | 


46. MENDING IN THE SUNLIGHT {Water Color] 


Slightly to left of centre a young woman is seated, facing the pies 
ver three-quarters to the right. She wears a bluish-white waist and a 
skirt of soft red, and is sewing on a white garment. Sunshine is — 
brilliant in the room, and odd pieces of pottery are noted on top of 
a cupboard at the right. 


Signed at lower right, Doocz MAcKNIGHT 


Height, 14% inches; length, 22 inches 


ARTHUR B. WILDER 


American: Contemporary iy f 
47. ON THE MEADOWS {Water Color] Mi 


In the foreground a lake, which extends into the middle distance, 
seems to cover an expanse of flat meadows and is frozen over and 
covered with snow, as are the higher lands which surround it. Trees 
which dot its borders on either side are in the sere. 


Signed at lower left, ARTHUR B. WitpER, 1909 
Height, 15% inches; length, 2134 inches 


—_ _—_ 2 
< t= fe oe 
€o(° « e : 


Pa a ae 


meets 


THE FITZGERALD COLLECTION a 


CHARLES HERBERT WOODBURY 


American: 1864— h SY 
4 SAINT THOMAS, WEST INDIES {Water Color] 4 


In the beautiful Caribbean harbor, seen in the bright sub-tropical 
sunlight, a steamer lies at rest in the distance and a three-masted 
schooner is at anchor in the foreground. The near-by water around 
her is filled with reflections, and beyond her the waters of the har- 
bor are smooth and a brilliant green. Houses from the water front 
extend up the hillsides of the distant shore, which terminates in a 
picturesque mountain. 
Signed at lower right, Cuartes H. Woopsury 
7 Height, 16% inches; length, 22 inches 


WILLEM STEELINK 


Dutch: 1856— ope. J | 
3 vee J Merle / # 
. SHEPHERD AND HIS FLOCK [Water Color] 


A shepherd leaning on his crook watches his flock, which grazes 
around him while two or three have ventured forward to drink from 


4 i 2) ~ the silvery pool in the extreme foreground. 
eee Signed at lower right, Witm. STEELINK 
ae Height, 15 Seckaal length, 25 inches 


i “2 W. DODGE MACKNIGHT i‘ Ee 
wn American: 1860— a G veel OF 


THE RED HOUSE, WINTER {Water Color} 


A frame house painted a dark brownish-red and having an attached 
wing with slanting roof stands at the left, a side door opening upon 


y 4. a side hill at whose summit in the central distance are other country 
| {Continued 


36 


No. 50. Concluded 


52. 


x00 — 


~ ARTHUR B. WILDER 


JOHANNES HENDRIK WEISSENBRUCK 


houses. A boy at some occupation stands near the corner of. ae 
house. The ground is covered with snow which banks up against | 
the house in steep piles. A scene on Cape Cod. were 
Signed at lower left, Dopcz MAcKNIGHT 

Height, 174 inches; length, 22 Fee 


American: Contemporary 


WOODSTOCK, VERMONT {Water Color] Wed. Mf 


A scene in winter, with the ground covered with snow. In the 
background une hills cross the view, their surfaces snowy and 
dotted with trees. On the left a road heavy with snow leads from the _ 
foreground toward the hills, and at a bend in it in middle distance — 
stands a house, which looks upon a grove of evergreen pine trees at | 
the centre of the composition. a 
Signed at lower right, ARTHUR B. WitpErR, 1914 

Height, 16 inches; length, 23 inches 


[See illustration | 


et 


Dutch: 1824—1903 


HOUSEHOLD LABORS [Water Color] nal 


In the light of a gray day a woman in gray waist and a white ca 
is bending over to gather up some linen from the grass. Beyond ie 
is her combined stable cottage, with sagging roof. A tree stands 
before the door and others are seen in the distance. 
Signed at lower right, J. H. WeissENBRUCK 
Height, 17 inches; length, 22 inches 
{See illustration } 


No. 52. HOUSEHOLD LABORS by WEISSENBRUCK 


a. + 


No. 51. WOODSTOCK, VERMONT by WILDER 


No. 54. MOONLIGHT ON THE RIVER | 7 
By WILDER ‘ 


No. 55. COASTAL SCENE 
By MACKNIGHT 


a ate 


THE "FITZGERALD COLLECTION 39 


i oe JOHN WHORE 


xe oe American: Contemporary - y Y 
' r > Ree Sander 
53. _ LANDSCAPE WITH FIGURES [Water Color] 


ey 


In the foreground to right of center are standing two female figures, 
in ample skirts, beside a wide pathway which leads through the cen- 
- ter of the composition to a tall arched gateway in the wall. The 
whole i is in bright sunshine, and the play of light and the quality 
of the reflections give the charm to the picture. 


ay 20h at lower left, Joun Wuorr, ’75 
Height, 17 inches; length, 23 inches 


- 


SARTHUR B. WILDER 


~ 
~ 


American: Contemporary 


’ 54 MOONLIGHT ON THE RIVER, WOODSTOCK J WV Wave 
at | ce {Water Color} Ui t A} 


‘ 


In the distance stars appear in the sky and a light in a house below 
is reflected in a stream which courses through the central part of the 
_ Picture from front to back. The surface of the stream is partly 
1 exposed and partly covered with ice, and along either bank are trees 
and buildings. 
Signed at lower left, ArTHUR B. WitpEr, 1908 
Height, 12 inches; length, 15 inches 
{See illustration } 


aye W. DODGE MACKNIGHT | 
American: 186 4 ) 
erican: 1660— Ve firull, agh 


55. COASTAL SCENE [Water Color] 


A massive rocky coast, rising in the foreground, makes a bend to- 
i} 5 — ward the right and curves around toward the left, enclosing gray wa- 
{Continued 


40 


THE FITZGERALD COLLECTION 


No. 55. Concluded 


Aas 

\ — 4 

a 
\ 

56. 


ter lightened by reflections. The scant herbage on the rocks is full x S 
of soft color, and the whole makes an engaging composition. - ae 


Signed at lower right, Dooce MackniGHT 


Height, 131% inches; length, 21 inches — S 


{See illustration | 


WINSLOW HOMER, N.A. 
American: 1836—1910 


THE PORTAGE {Water Color} Mt. i g fe 


A wonderfully strong, powerful and compelling drawing, with ex- 
pression in color which is charming and a distribution of light which 
is nature itself. A picture which has traveled much of the world 
and been everywhere received with admiration. A sportsman in 
gray-black clothing and knee boots or puttees is walking up a grade 
going away from the spectator, and is seen in the middle distance in 
bright sunshine. He is carrying on his shoulders and over his head 
his inverted canoe. His muscles are powerful and there is spring 
in his step. The rapids in the stream glisten in the sunshine and share 
in reflection and the earth is grayish and discloses patches of color. 
In the distance the edge of a wood bounds the picture. 


Signed at lower right, Homer, 1897 
Height; 1314 inches: lenpthe alae 
Exhibited at the Copley Society’s Water Color Exhibition, Boston, 
1923 
Exhibited at the Museum of Fine Arts, Boston 
Exhibited at the Minneapolis Institute of Arts 


{See illustration | 


No. 56. THE PORTAGE 
By HOMER 


ene i" “se 
ass Tt ae 
> 
mle 


. w= 
: pyre ’ ors " 
J c 


ae eee 


rt re eet 


p FIPZGPRATD COLLECTION 


. “aa 


- VLADIMIR PAVLOWSKY 


a... - Polish: Contemporary Dy ; 

ar 7 « GLOUCESTER HARBOR {Water Color] ; baplenr 
Fish ng craft are in harbor and tied up to docks and between them a 
glimpse of a shore building is seen in the background. The boats 
are colc orful and one sailboat has her mainsail standing but slack. 

In th 5 for und lies a ship’s small boat of large proportions, con- 


- tainin ng three hardy fishermen, one standing. 


ce ini 
oe 
mec 1 at lower left, Viapimir PavLowsky 


—_ 
~~ et Be ee fs Height, 21% inches; length, 27 inches 


Sie =. CHARLES HERBERT WOODBURY 
at Ls ae a American: 1864— 


eal _ The sea surging up from the left is streaked with seaweed and light, 
and on a sandy coast in the upper background has deposited a num- 


ber of dead fish. 


Signed at lower left, CHartes H. Woopsury 
Height, 17 inches; length, 21 inches 


Exhibited at the New York Water Color Club 
Exhibited at the Pennsylvania Academy of the Fine Arts 


W. DODGE MACKNIGHT 


59. CHRYSANTHEMUMS {Water Color] 


In an ovoid vase with spreading lip and foot and decorated with the 
D same flower is a large bunch of chrysanthemums, mainly of pinkish 
lf 5U ~ tones. 
Signed at upper left, Dooce MackNicHT 
Height, 22 inches; width, 15 inches 


z F eG y y A, | | ; VA 
58 SARGASSO SEA [Water Color] UM Muchat 


American: 1860— hy "2 : es agh 


44 
60. 
say ee 
2 
61. 
1 
62. 


Peisacus a> AN 
> a a y 
TT N 

. < he A 3 
Pte. 
/ 


UNIDENTIFIED | 


VILLAGE LANDSCAPE {Panel} 14; if 


On the left a small cottage, with a red brick chimniey, And inf 
of it a narrow road leading straight back from the Ergon 


grass. 


ADOLPHE ALEXANDRE LESREL 
French: 1830— 


CAVALIER {Panel} y Ui 
Portrait at full length of an upstanding, stylish man with moustache oa 
and pointed beard, facing the spectator. He stands in easy attitude 
and about to move, and has his right hand on a large curtain and 
his left hand at his waist. He wears a moderately wide brimmed 
hat with a plume dangling at one side. He wears a rich brocade 
suit and a pink sash. 
Signed at lower right, A. A. Lesre, 1887 

~ Height, 13 inches; width, 9 inches 


WILLARD LEROY METCALF 
American: 1858—1925 


} 
AFTERNOON BY THE RIVER v In rae 
pec- 


The lengthened shadow of slender trees, projected toward the 

tater, streak a greensward in the sunlight, at the far end of which a — 
hedge makes a deeper shadow. On higher land and in shadow on 
the right in the distance stands what appears to be a church structure. 


Signed at lower left, W. L. Metcatr, Gréz, Oct. ’84 
Height, 8% inches; length, 134% inches 


wo —F ‘S ERALD COLLECTION 45 
° Ot ap ce Pe 
| re Bien 


DERIC PORTER VINTON, N.A. 


feet - American: 1846—1911 


* ij 


by Fabede , aCe 


63. ¢ om A tA. VILLE {Panel ] | Perargd 4, Lb 


4 ¥ a 
" J 
, a4 

¥ ae 

‘ 


oe 


ion “the: 3e litele French village which was the delight of artists 

ars ago, , and where many have made pilgrimages, Corot 
aoe Thatched and other cottages appear among gardens 
- nd here and there a flower is seen, the whole in gentle 


ite Porm RORFT COLE 
c al | American: 1837—1892 


- The lake supplies the foreground, its surface marked by shadows, 
and on the farther wooded shore are numerous cottages, the scene 


dominated by a single tall poplar tree. 
Signed at lower left, J. Foxcrorr Cote 


Height, 10 inches; length, 12 inches 


UNIDENTIFIED 


65. LANDSCAPE AT EVENTIDE Mea vef 

The light of the new moon barely illumines the landscape, ighting 
the sky sufficiently so that the tower of a cathedral and the spire of 
a neighboring church in the distance stand out clearly. At left a 


{Continued 


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we 


ai 


be 


Px 


‘eas 
~- 
r 


Ai ia i ey 
om LANDSCAPE—VILLE D’AVRAY Xt bs Pitan 


46 THE FITZGERALD COLLECTIO 


No. 65. Concluded 


mass of dark trees, and on the right occasional lights accentuate a _ 
mist that overhangs the landscape. In the foreground, where the 
atmosphere is clear, a man is leading his working team of horses. 
Undecipherable signature at lower left | 

Height, 10 inches; length, 14 inches ‘ 


CHILDE HASSAM, N.A. 


American: 1859— rs 


66. SPRINGTIME LANDSCAPE {Panel} 


A grassy field slopes gently from the right, its pale green lightly — 

marked by shadows of widely spaced orchard trees. The apple 
a/ | trees are in blossom and their pale pink somewhat brightens the 

landscape. In the distance a cottage is descried among trees.. 


Signed at lower right, ComtpE Hassam 


Height, 12 inches; length, 14 inches 


JOHN HENRY TWACHTMAN 
American: 1853—1902 


67. COTTAGE AND BARNS {Panel] bh / +f, 


Across a level field of grass the eye travels to a coca group with 
barns, which extends from the right, and to a single detached build- 
ing at the left. One has a thatched roof. A tall tree grows at the 
left and others beyond the buildings at the right, while in front of 
the buildings are a few short trees. 


Seema 


Signed at lower left, J. H. TwacHTMAN 
Height, 134% inches; length, 15% inches 


7 - é b= ra : are ry ne T+ Pee ‘ A - ‘ 

“ ai pr = By a pee: 

oot ae a4 nad, — . 

a : se ' i. era ne ; 

oe eee ee) es pieres 
alieer : 


fi a 
my ** 
a a 


pa ao i 
* = 2 


THE FITZGERALD COLLECTION 47 


7 WILLARD LEROY METCALF 


—_r" 


wate | American: 1858—1925 % y 
68. LANDSCAPE {Panel} ‘Tim oye 


‘Tn the foreground a shallow pond with vegetation pushing through 
or the water, and in the background a few scattered trees. The grass 
beyond the water is green. The light is dim. 

Signed at lower right, W. L. Metcatr, 1887 

Height, 11 inches; length, 14¥% inches 


CHARLES HERBERT WOODBURY 


baa pee. fi 5 ~ American: 1864— 

| en fy 

e 69. MARINE [Academy Board] ( Janes 
ba gem A glimpse of the open sea, surging in its masses, with no land visible’ 

c fom, An expression of the immense power of the sea, unalloyed by human 

% 


, 7 Suggestion, the huge waves crested with white and in constant motion 
A A with no interference. 


if Signed at lower left, CHartes H. Woopsury 
Height, 11 inches; length, 17 inches 


JULIAN ALDEN WEIR, P.N.A. 
American: 1852—1919 


. / ‘ 4 VY Vp 
yo. A CORNER OF THE FARM Mu Kia Anll 
On the left some well rounded trees in a field behind a stone fence. 


In the centre a bar gate leading to an open space where all is sun- 
} | () — light, beyond a narrow foreground of gray-green grass. 


Signed at lower right, J. ALDEN WEIR 
Height, 14 inches; length, 17 inches 


71. 


se 


a ‘ 
yt ® 


JOHN HENRY TWACHTMAN. 


American: 1853—1902 | ma “tis ¢ If Bt 
VIEW OF THE SEINE AT NEUILLY [Panel} eae 


The river runs in a narrow channel through the center s) aes cot oe 
position, and boats and barges are moored in the stream. Over t 
tops of the boats the eyes travel to the horizon on the right of 
picture, while along the left runs the irregular bank. 


Signed at lower left, J. H. TwacHTMAN - | ic. 
| Height, 13% inches; length, oh inches 
{See illustration } ee 


WILLARD LEROY METCALF 
American: 1858—1925 


THE LILY POND e a Faigh 


A narrow stream runs between banks on the right and left, and in 
the foreground is filled with pond lilies in bloom. Trees are thick 
on the bank at the left, while the bank on the right is in sunshine _ 
and supports a line of pollard willows. | 
See at lower left, W. LL. Metcatr, ’87 

Height, 12 inches; length, 15 inches 


[See illustration} 


No. 72. THE LILY POND by METCALF 


» we 
- > 


No. 71. VIEW OF THE SEINE by TWACHTMAN 


No. 74. NEAR ANASQUAM by COLE 


ae ----.-.-.-.rresn—E_$— 


THE FITZGERALD COLLECTION 51 


HENRY OLIVER WALKER 
American: 1843— 


73. MOMENTARY REPOSE 


A fair young woman, nude save for a light drapery, is seated on a 
bank with tall reeds growing beside it in an open country. Behind 
her at the right is a group of trees, and in the open background at 
/ h i) the left is visible a small classical construction. She sits facing the 
observer, with her body bent at the waist and leaning to the right over 
the bank, on which her arms rest at the elbows, and her head is bent 
downward so that her brow rests upon her wrists and her face is 
seen in profile. 
Signed at lower left, Henry O. WALKER 


Height, 26 inches; length, 324 inches 


{See illustration } 


[30 


J. FOXCROFT COLE 
American: 1837—1892 


) 
| 


74. NEAR ANASQUAM Bk. 


( 
On the right and extending to the middle distance, huge sand dunes, 


white and patched with yellowish vegetation, as they slope toward 
[30 the left to a low rough shore. Beyond the middle distance on the 
left the sea puts in, and Anasquam Light is visible. 
Signed at lower left, J. Foxcrorr Cote 
Height, 18 inches; length, 24 inches 


{ See illustration } 


- 
7 


/ 


/ 
: 4 


VA 
StpHunHawn 7A. 


“el 


> ae 


52 


= MAXIME MAUEFRA _ 
| (D French: 1861—1918 


75. FISHING SMACKS AT SEA 


9 Ko : ALBERT ANDRE 


any: 


5) 


Signed at lower right, Maurra, 1904 


46. MATERNITE 


the right. The weather is murky and in the distance sea and clouds 
to merge. ae 


Height, 13 1/3 inches; length, ah inches 


French: 1869— 


“sudler 


Half a dozen women are sitting or standing on the grass in a plot 
of land which is dotted with trees and brilliant with sunshine. One 
of them is nude, kneeling with her back to the observer, and another 
has her breast exposed. The latter sitting at the foot of a tree and 
another woman who is standing each holds a baby. Still another — 
woman reaches up at a tree, in the attitude of picking something. 


Signed at lower left, AL. ANDRE 


Height, 14% inches; length, 30% inches 


{See illustration | 


FYANV “g 
ALINYALVW ‘94 ON 


No. 77. PAYSAGE SUR LE LOING 
By SISLEY 


a oe 


ALFRED SISLEY 
| French: 1840—1899 


. Lo oi ng, seen in sik ats foreground and vanishing at a 
- midd e distance, bears on its bosom a number of small 
{ near a bunch of vegetation growing in the middle 

ne flat land of the left foreground slender trees 
yn the farther bank of the stream are more trees 


= u ep atcline under a light grayish sky. 


Height, 15 inches; length, 22 inches 
{See illustration } 


CHARLES HERBERT WOODBURY 
ee American: 1864— 


- 


as 


In broad sunshine in a stubble field stand two ee one in the 
right foreground the other in the middleground. At the far end 


of the field in the background are some boundary trees, dark against 
a sky of light clouds. 


ea, Signed at lower right, CHartes Hersert Woopsury, ’85 


| Height, 14 inches; length, 20 inches 


a Haystacks ie ees 


= 


Lo “ EDMUND CHARLES TARBELL a 
2 American: 1862— . - 


A slender and well favored young woman overcome Pe has 
thrown herself in utter collapse upon a rug and lies there face down- _ 
ward. Her light brown hair is done high upon her head. She 

[70 nude and the supple figure is expressive of easy grace. =: 


79. GRIEF 


Signed at lower left, Eomunp C. TarBELL 


Height, 16 chen oath 32 inches 
Exhibited at the Museum 3 Fine Arts, Boston 


F. CORDERO 
Spanish: se 1 i 


80. LANDSCAPE WITH BUILDINGS 


An open foreground flooded with sunshine shows rough ground 
patched with coarse grass. This is bounded in the middle distance 
a Ni ‘S by dense short trees with low buildings among them, and beyond the 
trees, in the distance, houses of some pretension are seen. | 


Signed at lower right, F. Corpero 
Height, 15% inches; length, 24 inches — 


[See illustration } 


OYNdYOD “F 
SONICTING HLIM ACTVISANVI *°8 °ON 


nw 


A PORT Al, BELEESIEE 


82. 


No 


By MAUFRA 


eae 


yas a 
’ “ Pi a te = OF 
tT ~« “ie » : Po fins 57 ' , 
fs ie ff FAS a ee 
a as 


see ta 


rey 


a 


5 tous EUGENE BOUDIN 
French: 1824—1898 


i iJ 
wl 


EMC ae DE LA RIVIERE—TROUVILLE 


ee ’ oe - > es « gro 
1 i ing i ee the distance, widens in i siaicavelae Ke, Ye Abn 
| bosom i is whitened by sunlight. occasional tab 


en on it, one containing men who are fishing with rod 
; e oF two masts are seen, and at the left the edge of a 


Height, 17 inches; length, 21¥, inches 


MAXIME MAUFRA 
French: 1861—1918 


aa hy / 
Be. A PORT AT BELLE ILE | if ie LA 04d. 
(/ 


- With the distant sea under a grayish sky which is still full of light, 
the port puts into the foreground, with the brilliant illumination of 
day only slightly subdued. Jetties put out from left and right in the 
middle distance, the one on the left marked by a lighthouse. Back 
of it on the left, and extending into the foreground, the land sup- 
ports waterfront buildings, and curving into the immediate fore- 

exhibits a narrow sandy beach. All along the shoreline are 
anchored boats headed landward and in the stream at right are other 
anchored craft. 


vee 

ka Signed at lower left, MaurRA, 1905 

me Height, 26 inches; length, 32% inches 
5 From Durand-Ruel 


[See illustration } 


60 


83. 


HENRY MORET 
French: XIX Century 


LE PORT DE PAUL GOAZEC nly CS 

* Sei 
A foreground of sandy beach, marked by light ‘satchel of gre 
and an arm of the sea reaching inland from the right to a ch 
village buildings in the left background. In the port are. U 


boats with sails unfurled, which form an pee eS asse f 


From Durand-Ruel 


{See illustration} 


a - 
re ge ae 
eaten se tt 


No. 83. LE PORT DE PAUL GOAZEC 
By MORET 


No. 84. LE QUAI DE LA MARINE A VILLEFRANCHE : 
By BOUDIN 3 


= = ‘ZGERALD COLLECTION 


Py 
all buil occupy a low point of land which projects | 
They are of creamy white and grayish notes and 
nadows. In front of them a man walks toward the 
Be cleft the water is a dark grayish blue and supports 
ig, an and in the left foreground three small boats are an- 
eo ‘shor 
aad right, E, Bounw, ’ 90; Villefranche 
F e eS = Height, 19 inches; length, 24 inches 
aa {See illustration ] 6: foe ho, #5 6; REP 
aa : Beit er5n sale, P-B, 1/8/41, #273; REP. 92, 200 
MAXIME MAUFRA 
ag, ei French: 1861—1918 
ah ith $ { : 
_ 85. LE MATIN—PORT MARLY of Mol 3 


Baca’ landscape of light and springtime gaiety. The Ege aS sings its 
own spring song. Light sparkles on the river’s broad bosom in the 7 
centre of the composition and delimits irregularly shaped white 
clouds in the sky. On the left the shore supports scraggly trees 
and on the right a line of regularly developed trees skirts the stream. 


Signed at lower left, Maurra, 1891 a 
Height, 211 inches; length, 26 inches , 


a : ; 
— J ~ “ al 
P wa ¢ 
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oe hwy, og hy ’ 
4 J bol ; 8 
j i, a : 
Se Sa ee 
——— <7 _ a : , 
a ee 7 sen “| 
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z 


sens 
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4 


= 


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Lye _ , 


From Durand-Ruel 


— 


7 
= a) 
> es rm 


CLAUDE MONET 


X02 - = 
é \ French: 1840—1926 : | | — 
"86, LA CABANE | & 7 ld | 


vt An isolated hut qe. before the eye ina well timbered region, c 


4 i of it, in Pie ot supports various flowers. 


Signed at lower right, CLaupe Monet 
Height, 1934 inches; length, 29h inches 


Exhibited at the Boston Museum of Fine Arts 


[See illustration} 


ALBERT ANDRE 
French: 1864— © 


87. OEILETTES ET STATUETTES ies HL a 


A handsome porcelain jar filled with carnations of various color 


SaaS stands on a table with a silken covering in a room with rather plain 
ov! \ : . | 
ayy walls. At either side of the bouquet are white marble statuettes on 

v the same table. On the wall is a huge mirror, in which the statuettes 


and flowers are reflected against a background of an unseen silk 
hanging of striped pattern. : 


Signed at lower right, AL. ANDRE 
Height, 21% inches; length, 25 inches 


. LA CABANE 
By MONET 


No. 86 


LA RIVIERE 
MAUFRA 


. 88. 
By 


O 


N 


mee FITZGERALD COLLECTION 67 


MAXIME MAUFRA 
Lf axe eg French: 1861—1918 


; jy / ff V/s 
88. LA RIVIERE Nnytaar Pall 


- 


Crossing the foreground is a stream, with a punt lying at the bank 
near the left. The water is marked by shadows from the shore, 
where there is green grass with patches of bare sandy earth, above 

i (0 , which rise buildings and sundry trees, including a group of tall 
poplars. The sky is gray and filled with light clouds. 


Signed at lower right, MAurra, ’02 


Height, 2114 inches; length, 27. inches 


{See illustration } 


68 


§ MAXIME MAUFRA | Bec 


ALFRED SISLEY 
French: 1840—1899 _ 


LES BORDS DU LOING A MORET, PRE 
FONTAINEBLEAU ~ 


The narrow river courses at the left along a wooded st ore | 

bordered on the right by a flat and grassy foreground lanc 
Buildings and trees appear on this side, in ge cunlieei and 
a mixed sky. : 

Signed at lower right, Sistey, ’86 me 

Height, 21 inches; length, 28 inc 

{See illustration | aS 


ae 


a 


French: 1861—1918 IF Py Ke | | 
SOLEIL DE PRINTEMPS—LE GUE DU LOIR | 


In the foreground the river sparkling in sunshine, and streaked with 
shadows from slender leafless trees which grow on the farther border _ 
of the stream and on narrow points of land which project into the 
water from the right. In the background at left a long and low 
river front building on which is a water wheel and higher buildings __ 
observed in some obscurity in the distance on the right. ie 


Signed at lower right, MAuFrRa, 1916 


Height, 22% inches; length, 29 inches 
From Durand-Ruel 


No. 89. LES BORDS DU LOING A 
By SISLEY 


MORET 


~~ ee ee ee eee 


COUCHER DU SOLEIL 


On 


O 


By MONET 


Same FITZGERALD COLLECTION 71 


. CLAUDE MONET 
al , French: 1840—1926 
91. COUCHER DU SOLEIL SUR LA SEINE; 


’ YW LL f 
EFFET D’HIVER Eile ten 


The sun is setting, a glowing ball of fire, near the centre of the canvas, 

a dull reddish glow visible in the sky behind it, and another minor 

glow encrimsoning the foreground, where the river is covered with 

ab (0 blocks of floating ice. From the right a point of land supporting 

slender trees comes into the stream, some brush projects through the 
ice at the left, and back of it low buildings are seen on the land. 


Signed at lower left, CLaupe Monet, 80 
Height, 23'4 inches; length, 3134 inches 


Exhibited at the Boston Museum of Fine Arts 
rasa 
¢ 


wh” 


{See illustration} 


_ A NR A AT OTE A ETS ET 


<< GEORGES D’ ESPAGNAT 
French: Contemporary _ 


| WOMAN TENDING FLOWERS 


A young woman on her knees in the grass before a ae or im 

is attending to flowers blooming in a flowerpot, which rests befo 

She is clad in a gray-blue gown over which a large loose collar 

e and a pale mauve apron. At her side is another Hower with 

ol | soming flowers. 2 ? ‘ 
Signed at lower right, G. p’E. Ae . 

| Height, 24 inches; width, 20 inches” 
From Durand-Ruel | A eee 


[See illustration ] 


SS 
| 
~ JA GEORGES D’ESPAGNAT 
229 | French: Contemporary 
93. SPANISH ROAD SCENE ln noe 


A broad country road leads back from the foreground through the _ 
centre of the composition, so little and irregularly used that grass is 
green on it in patches as well as along its sides. It is bordered by 
trees whose leafage has turned red, and on the left is a reddish-yellow 
field. In the distant background is a colorful village landscape. 


Signed at lower right, G. p’E. : 
Height, 24 inches; length, 32 inches 


Exhibited at the Boston Museum of Fine Arts 


EE EE En 


No. 92. WOMAN TENDING FLOWERS 
By D’ESPAGNAT 


No. 94. LES BORDS DE L’EURE 
By LOISEAU 


Sate FITZGERALD COLLECTION 75 


GUSTAVE LOISEAU 
a5 qe French: Contemporary , 
94. LES BORDS DE L’EURE, NORMANDIE Mx . Kin 


Marshy shallows picked out with flowers fill the foreground, at the 
left a point of thin trees projects into the marshes, and the back- 

95 U. ground is bordered by short woods. The sky shimmers from a con- 
fusion of light clouds. 


Signed at lower right, G. Lotszau, 1901 
Height, 24 inches; length, 32 inches 


{See illustration} 


7 THE FITZGERALD COLLECT Gm 


= S CLAUDE MONET 


French: 1840—1926 


| hr . 
95. IN RURAL FRANCE re bly 


A hillside declining to the left and forward displays its broad flank 
in subdued sunlight, the surface rough and irregular and marked 
by bushes and grasses. In the central middle distance is a group of 
farm buildings, and in front of them and extending forward toward 
the left are irregular lines of poplar trunks, one slender one exhibit- 
ing a tuft of foliage at its top. At the edge of the right foreground 
a fence projects into the picture, and near it are lying piles of rough 
sticks. 


, Signed at lower left, CLaupz Monet, ’85 
Height, 25% inches; length, 3134 inches 
Exhibited at the Boston Museum of Fine Arts 


[See illustration] 


~~ 


” | } 2 
Nieto ee me 


— Sy ae 
re hia ‘ -. ‘3 fe co 


‘ > 
. 


¥ 
> 


P 4 
‘ -- 

e 

J 

t 


No. 95. IN RURAL FRANCE 


By MONET 


No. 96. LILE DE GROIX 
By MORET 


me FLIZGERALD COLLECTION 79 


-) HENRY MORET 
Mf #) 4 French: XIX Century 
; : A» fh f 
96. VILE DE GROIX—BATEAUX DEPECHE: (7. “ N ibellr 


Island points project into the sea from the left foreground and from 
the right middle distance. Their surfaces are rough, and cut by 
hollows and shadows, while here and there over them may be seen 
grass of rich green. The water is blue, and gives off green reflections, 

i 5 ( under a mixed sky, and in the channel between the land masses 
appear several fishing boats, under sail. 


. Signed at lower left, HeNry Moret, 1903 


Height, 2534 inches; length, 3174 inches 
From Durand-Ruel 


{See illustration } 


eh 
Ww 


THE FITZGERALD COLLEC 


French: 1840—1926 


FISHING BOATS AT Howe's | y ee 


fishing boats with their sails taken down are ios on the aes in 
irregular line actoss the geo their bulk and an he 


Signed at lower left, CLaupzE Monet 


Height, 29 inches; length 30% | inches 


{See illustration } 


+ 


No. 97. FISHING BOATS AT ETRETAT 
By MONET 


’ 


NATURE MORTE 
ESPAGNAT 


D 


98 
By 


No. 


GEORGES D ESPAGNAT 
French: Contemporary 


98. ae ATURE “MORTE - peed h (Bech 


ba table having a cover of large check pattern in white, cream and 
red Reece: isa display of fruit, some of it in dishes, vegetables, flowers 
aad a large pottery jar. The jar has floral decoration and a plaque 

de a a ed with flowers hangs on the wall. The fruit includes peaches, 
and sg ap and the vegetables egg plant and squash. All are 


Height, 324% inches; length, 3934 inches 


ie {See illustration} 


CHARLES HERBERT WOODBURY 
American: 1864— 


99. FISHING OFF THE GRAND BANKS UY uy y EB 


A single alert fisherman is seen standing in his dory as it descends a 
huge wave, coming down toward the left. The dory is of a yellow- 
brownish hue and the clothing of the fisherman is but little lighter. 
The huge masses of the water and its heavy movement carry an im- 
pression of great and heedless power. The sky overhead is of a light 
greenish-blue overspread by a veil of white mist. 


Signed at lower left, CHartes H. Woopsury 


| 


Height, 36 inches; length, 48 inches 


E- 
a 
# 
’ 


nt ea) 


100. SUNLIT SHORES. SHEEPSCOTE BAY 


960- 


IO. 


white with reflections are numerous s islands, small and low, ; 


THE Fa TZGE : A ss ; : OLLEG 


PHILIP LITTLE. 


American: 1857— ff ED, p, 


A most vigorous and eloquent painting of a picturesque a 
summer, under bright sunlight from a mottled sky. In the 
ground the coast is high and covered with flowers, a mound risin 
considerable height on the extreme right. Beyond a rambling cha 


eee” 


distance. 


Signed at lower right, Pomp LirrLe 


San 


a One Hundred and See Aimee Exhibition 
Exhibited at the Corcoran Art Gallery, Washington, 1921 oe : . 


{See illustration } 


CHARLES HERBERT WOODBURY 
American: 1864— _ (V 


SKETCH FOR GREEN WAVE 


Ocean waves of strength and power observed with all the keenness 
that a sketch inspires are rolling vigorously before the eye, with spin- 
drift flying and white foam spreading. Above, an active sky seems 


in sympathy with the troubled sea. 


Signed at lower right, CHarLEs H. Woopsury 


Height, 48 inches; length, 72 inches 


A ot 


Bb os 


eyo. 


re, 
, 
ee 

Ne Mes 


“ 


i, ie, GRY 


. om 


No. 100. SUNLIT SHORES, SHEEPSCOTE BAY 
By LITTLE 


x 


PONT SOR-LA, SEINE ASEAKIs 


7. LOZ, 


No 


THAULOW 


By 


ITZG ERALD COLLE : rt = i 

ae ge ed ee. | 

camel ja _THAULOW 
nar 7 oe 


ty 


es 


n the oar oe where the upper part of ae 
ars s from the picture to the farther bank which it 


tig trees rising i bakoee the pisiee eridises of the 
, and ir n front of them in the water are freight barges at 
: on we them pointing at the bridge. 

left, Frits THAULOW 

ee Height, 26 inches; length, 32 inches 


{See illustration] 


C. ARNOLD SLADE 
American: 1888— 


7S ROCKS OFF THE COAST Ww) 5 iD, pyr oe 
) A blue sea moving in slow surges swirls about two rock masses that 
stand a few feet above the surface of the water, which is whitened as 
it breaks about them. Besides the movement of the sea the charm 
is in the rich colors of the rocks, which appear brown and purple, 
pink, gray and white under the lapping of the sea and the burning 


of the sun. 


Signed at lower right, C. A. SLADE 
Height, 32 inches; length, 40 inches 


88 


104. 


105. 


106. 


THE FITZGERALD COLLECTION 


CHARLES HERBERT WOODBURY 


American: 1864— R oe a Line 


PREPARING CAMOUFLAGE IN WARTIM 


A great four-funneled cruiser lies in the stream, broadside on to ih 
observer, and headed to the right. She is daubed all over with red 
paint and the water of the foreground is ruffled with the red 
reflections. 


Height, 29 inches; length, 36 inches | 


MAXIME MAUFRA 
French: 1861—1918 


BATEAU A LA COTE MORGAT trawelans Med) 


In the foreground at the left a bit of a flat coast, where half a dozen 
men ate standing idly in a group, near a point where a line comes 
ashore from a small but heavy boat with a single mast a few yards 
out. In the boat are two men. Farther out are high waves with 
white caps, and waves are dashing against the high rocky coast which 
projects from the left in the distance. The light over the water is 
bright, under a darkening sky. 


Signed at lower left, MAUFRA, 1903 


Height, 26 inches; length, 32 inches 
From Durand-Ruel 


E. H. BARNARD 


American: Contemporary pe f 
LANDSCAPE : mn a 
coarse 


A bland passage of rural landscape, exhibiting a surface o 

grass in the foregeround, with small and bushy trees on the right in 
middle distance, and on the left a couple of cottages or barns also in 
the middle distance. In the left background the vista is bounded by 
a low green hill. 


Signed at lower left, E. H. BarNarp 
Height, 20 inches; length, 24 inches 


~ _ 


THE FITZGERALD COLLECTION 89 
CHARLES HERBERT WOODBURY 
a American: 1864— 


ton. SNOW SCENE WB Quwer 
ei A massive hillside with peak at the left is covered with snow and 
reflects the light in different degrees. Scraggly trees shoot up 
through the snow here and there on the sides of the hill and at its 
top. Seen across the sloping flank on the right is a stretch of gray- 
_ blue sea in the distance. 
| Signe at lower right, CHas. H. Woopsury 
Height, 29% inches; length, 36% inches 


JULIAN ALDEN WEIR, P.N.A. 

are. > American: 1852—1919 

08. HARVEST Aewlitwe Ayllt 
we. 4 


_——CA ‘broad field is greenish-yellow after the harvest and two bundles 
oe “ ) __ of sheaves are standing in the background toward the left. Around 
be i the border of the field in the background are various trees standing 
peer detached and of different shapes and character. Toward the left 
--—s in the background are barns. 


Signed at lower right, J. ALDEN WER, 1887 
Height, 22% inches; length, 30 inches 


” EDWIN LORD WEEKS 
American: 1849—1903 


109. ALGERIAN TRAVELERS [Panel] (C: J Lil fis ‘SEP 4 


A bearded man on foot, an elderly man on a donkey, aif seroman 
| and her small boy ihaanted on a camel are making their way toward 
a [ ( _ the left, driving their sheep before them. In the background is a 


creamy architectural ruin. 


Signed at lower left, E. L. Weexs, ’73 
Height, 17 inches; length, 23 inches 


SSSeSaQc Sa —_ 


go 


IIo. 


i” 


Tif. 


II2. 


THE “FITZGERALD -COLILEC Tig 
J. APPLETON BROWN 
American: 1844—1902 h 
THE BROOK REFLECTIONS fe f nol 


Sunshine dapples a country landscape and brings out the shadows of 
numerous trees which grow in fields through which runs a shining 


brook. In the centre of the foreground the brook is marked by : 


the shadows of neighboring trees. 


Signed at lower right, J. APPLETON BRowNn 


Height, 20 inches; length, 27 inches 


CHARLES HERBERT WOODBURY 
American: 1864— ate ee aS 
MOUNT MONADNOCK, NEW HAMPSHIRE 


The massive mountain rises in the background, with peak near the 
right, its massive flanks snow covered and reflecting white in varying 
degree. Across the canvas, in the middle distance, runs a dense line 
of evergreens, while in the foreground on the right are other small 
trees and at the left of the foreground is a group of slender trees all 
but leafless. 

Signed at lower right, WoopBury, ’07 


_ Height, 20 inches; length, 27 inches 


J. APPLETON BROWN, Now 


American: 1844—1902 


Hi Al yy 
Ay” Wo 
APPLE BLOSSOM TIME jf [ AEM 


In the central foreground the head of a pond, with shores at right 
and left and filling the distance. At the head of the pond, at right 
and left, apple trees in blossom, the view being closed in the distance 
by other trees. The whole in sunlight. 

Signed at lower right, J. APPLETON Brown 


Height, 18 inches; length, 24 inches 


<a ; 
: 
: 
P 


i 
—.. 


eos > ee o wees , 
TH E “FITZGERALD COLLECTION 91 
RICARDO CANALS 
_ Spanish: Contemporary 
113. DANSEUSES ESPAGNOLES i G 3 


er 


A tall young woman of full figure is most gracefully posed on a 
_ dancing floor and seems veritably to be in motion in the dance. She 
: ye wears a blue waist and mantilla and a full white skirt and is poised on 
: ca. one foot, toward the left, with her upper body bent back and turned 
so that she faces the spectator. With left arm akimbo, her right arm 
_ is raised above her head. A seated dancer on the right leans forward 
2 and applauds her. Beyond this seated dancer sits a man, and in the 


_ background another young woman. 
ome at lower right, CANALS 
. oe _ Height, 33% inches; width, 28% inches 


| a _ GEORGE H. HALLOWELL 
| ES. | American: 1872—1926 
114. FOXES by put 
: +. a Two foxes are depicted sitting side by side on the snow, ae the 
a observer. Their eyes are wide open and sparkle in the sun, which 


— illumines brilliantly the snow covering the ground. They are near 
aa 0 ~ the top of a hill or ridge, and the snow lies only in patches on the 
ta trees behind them. 


Signed at lower left, Gzorcze H. HaLLowety 
Height, 25% inches; length, 30% inches 


[END OF FIRST SESSION] 


y 

2 

Rot 

ee 

3% 

AX 
a 
yA 


PAINTINGS AND POTTERIES OF THE COLLECTION : 
IN THE FITZGERALD GALLERY, BROOKLINE, MASS. a 


c 
{ 


95° 


115. 


116. 


SECOND SESSION + APRIL 22 AT 8:15 P. M- 
Catalogue “Numbers 115 to 215 Inclusive 


GEORGE E. HOPKINS 
American: Contemporary 


IN THE FIELDS {Water Color] ML (lal 
On the left a group of buildings, with a fence extending to the right 
across the middle distance. Beyond the fence are low buildings and 
some trees, and more trees appear at the extreme left. Beside a nar- 

row stream in the central foreground some ducks are wandering. 


Signed at lower right, Georce E. Hopxins, 1882 


Height, 8% inches; length, 12 inches 


Perales RITTER 
American: Contemporary 


LANDSCAPE [Water Color] (y 9% a 7 AA nie 
On the left, trees and brush, growing on an irregular bank on the 
shore of a body of water. At the extreme left a house partly ob- 
scured by trees which are its neighbors. The whole in brilliant 
sunshine. 
Signed at lower right, Ritrer, ’91 | 

Height, 8% inches; length, 12% inches 


S. JULIEN : 
Cont by e 
ontemporaty Hv v/ 
LADY OF THE SIXTEENTH CENTURY [Water Color] 


Full-length portrait of a young lady with dark hair and wearing a 
very small hat set high on her head. She sits facing the spectator 
with one foot resting on a cushion, showing a white shoe. She wears 
a very full gown of white satin, with long skirt and white lace collar 


and cuffs, and holds a book in her right hand. 


Signed at lower right, S. JULIEN 
Height, 14 inches; width, 10 inches 


— 


Pre 


hs See a Ce te ce 6 ee) ee (ee Os \ * 
5 ere Sane: ‘ pba tie a De a 9 on ee. Ms 7, ; . eral; tS Cag ig } 
: = > oer, - See, ae eee ot 1 
: e a iS = F Lee. ao i 
td al A, se a oo = “ “ 
Stee: eee ots Ges a eo ae 
"4 KR ¢ 


os THE FITZGERALD COLLECTION | 


LOUIS EUGENE BOUDIN 


French: 1824—1898 _ 
Ynucleer hh 


118. BY THE RIVER {Water Color 


On the right near the foreground the point of a dune comes down to a 4 
the shore line of a blue bay whose smooth and lightly mottled sur- 
face occupies the greater part of the picture, punctuated in the ight 
distance by a single white sail. All is in bright sunlight and i in the 

sky are strata of white and grayish clouds. : 
Signed at lower right, E. B. ue 
Height, 8% inches; length, 11 inches ye | 


ARTHUR B. WILDER Pcs 
American: Contemporary ht De, a ‘ 
119. CORNER OF A VILLAGE IN WINTER [Water Color} | 


Thick snow covers the ground and the house roofs, and is marked by = 
the shadows of various constructions. At the left are a few trees; 
and at the right the corner of a building is in view. In the centre, 
in middle distance, stand various village houses. 
Signed at lower left, ARTHUR B. WILDER, 1910 


Height, 9% inches; length, 13% inches 


A. CONTE [?] 


Contemporary 
120. ZEELAND {Water Color} i hn Wo ii: 
A broad choppy sea inlet enters from the left and dominates the scene. 


It is dotted with sailing craft and seagulls are flying overhead. At 
the right two fisherwomen standing on the shore, their backs turned 
upon the observer. 

Signed at lower right, AkTH— ConTE 


Height, 14 inches; length, 24 inches 


RALD | "COLLECTION. Meet lee 


er eg ay 


oo JOHANNES GROENEWEGEN 
a ee Dutch: Contemporary 


tat “ON THE M MEADOWS {Water Color] ay the 


At “ay : peasant girl watches a group of cows scattered about 
t 2 aaa Beit and homesteads rise at the horizon. 


Height, 13% inches; length, 20% inches 


LIAM JOHN WHITTEMORE 
a: American: 1860— aera 

— EAs ae ¢ ol 5 ee 

22. # oa | 'T GLOUCESTER [Water Color] i/ 

oo of the foreground is filled with bright reflections, and 


e a schooner at anchor lies athwart the line of vision. 


at lower left, Wm. J. Wuxitremore, and at the lower 


Cae s 
“ah the title. 


Height, 9% inches; length, 18 inches 


~ NELLIE LITTLEHALE MURPHY 
{Mrs. H. Dudley Murphy] 

American: 1867— -') 
: ae 123. PLUMA ROSA [Water Color] A Wt | Une 

a Bouquet naturalistically rendered with lanceolate and serrated 
Ben - — leafage. 
| Signed at lower right, N. Lrrrtenace Murpuy > 

Height, 15% inches; width, 21 inches 


ANDREMASS on 


124. DUTCH § TREET {Water Color} 


: Low grimy buildings rise at either side of a ‘straight, dreary, s 7 
| . peopled street. A rain laden sky above. 


Pa 
/ Signed at lower right, ANDREMASS : : i 
| Height, 16% inches; width, eae 


NELLIE LITTLEHALE MURPHY 
{Mrs. H. Dudley Murphy} 


American: 1867— i / " Pay ye 


125. SPRING FLOWERS {Water Color] 
Upstanding branches with delicately tinted petals. 


Signed at lower right, Netum LirtLenaLe Murpuy 


SUSAN B. BRADLEY 


American: 1851— 


126. LANDSCAPE [Water Color] 4 (ion te 


: A garden in winter, with a pond in the conne and sundry trees 
\h scattered around. In the background a building group which in- — 
| cludes a tall square tower. The atmosphere is bright and crisp. 


Signed at lower left, Susan B. BrapLEy 


Height, 94 inches; length, 13 inches 


Zs 4 ppt _ " 3 a ates ie > Oe 
ee —EEE A a: TEE Bee 7 ae ae 
ae Nene 


NE ager cnenrn eee ae 


HE F ITZGERALD COLLECTION 


aa JOHN WHORF 
American: 1903— _ 


é 7 ROC KS IW WINTER [Water Color} , Vth 4 Ail 


‘Zz 


: es ice ze d rocks pile up irregularly athwart the view, sharing in the 
covering of snow which lies on the ground. Where the mantle 
a h hite is lacking the rocks are of many shades of color, and the 


vb IC landscape i is brilliant in sunshine. 


sned at lower left, JoHn Wuorr : 


— —— American: 1867— 


8 d Bi i HARBOR SCENE {Water Color] I es toh 


“2 edad bey is dotted with sailing vessels, rowboats and other 
‘fia In the distance the vague outline of large edifices upon the 
= sho 5 


~; 


ee Signed at lower left, ALEXANDER Rosinson, and dated 1916 


Height, 19 inches; length, 22% inches 


S— ~ NELLIE LITTLEHALE MURPHY 


a i ‘ ite {Mrs. H. Dudley Murphy} 
aan | American: 1867— ar 
~ ; tf Ad h- f 
129. CONGREJERA {Water Color] 
Upstanding branches of delicately tinted congrejera illumed by a 


warm light. 
Signed at lower right, N. LirrreHate Murpnuy 
Height, 21 inches; width, 15 inches 


Eston oe SS Sees 
100 THE FITZGERALD COLLECTION ss 


a * * 
ma | ae 


JOHAN HENDRIK VAN MASTENBROCK oa 
Dutch: 1875— 3 é iy a 
130. ON THE RIVER [Water Color] a 


Many vessels are moored in the foreground upon the mirror-like 
- still waters. Clothing is drying on lines and smoke curls from 
A. i several chimneys. The city sky-line in the distance. a 


Signed at lower right, J. H. van MAsTENsROCK, ’99 


rae! a 


Height, 12 inches; length, 14 inches 


ARTHUR CLIFTON GOODWIN 
American: 1866— 


| a 
131. ESPLANADE, BOSTON {Pastel A i . Rudrewr a. 


Women are resting on the public benches in the park, a group in 
front facing the left. Others with baby carriages come toward the - 
ee spectator. At the left runs the river, and beyond it are seen build- 
<9 ings of the city. 


Signed at lower left, A. C. Goopwin, with title 
Height, 13 inches; length, 19 inches 


C. SERRE 


Contemporary 


132. CHILDREN AT PLAY {Pastel] Hacakait ff, 


Five boys and girls are playing quietly in a subdued daylight. Two 
are lying on the grass, with heads together, studying a wild flower 
| in the foreground, while a third child near them extends his hand 
Uh, to an older girl whose back is toward the observer. She bends 
over to look at a flower plucked by another girl on the right, who 
completes the group. 


Signed at lower right, C. SzRRET 


Height, 10 inches; length, 14 inches 


We o.  ) eee  eee e = @&@ 


THE FITZGERALD COLLECTION 101 


ail 


P ALEXANDER ROBINSON 
a >. American: 1867— 


ie 


; a 133. FLORENCE, PONTE VECCHIA [Water Color} Vim. ry of 


aes The stream fills the foreground, swirling along the bridge sup- 
ra ports on the right, its surface marked by light reflections. The 

4 buildings on the bridge, of interesting architecture, are of rich col- 
ors which stand out in the sunshine, and people are seen within one 
of the arches. In the background the buildings are continued in 
transverse line. 


aa 


Signed at lower right, ALEXANDER Rosinson, with the title 
Height, 18% inches; length, 24% inches 


H. J. VAN DER WEELE y, 
Dutch: Contemporary LGS 


_ ON THE MOORS [Water Color} 


‘Dune landscape; in the foreground a clumsy wagon drawn by a 
brown horse slowly approaches the observer plodding through deep 


Z us —~ sandy tracks. 
Signed at lower left, H. J. v. p. WEELE 
Height, 12% inches; length, 19 inches 


— E. NEWELL MARSHALL 


Swiss: Contemporary 


135. PAROQUET AND PEACHES {Water Color] Ya hg [1 Ms inh 


A red-headed and dappled paroquet perched upon a table is feasting 
on a peach lying in a large bowl of the luscious fruit. Some of the 

} lj. “peaches have fallen out. In the background on the same table is 
a large bouquet of flowers rich in color. 


Signed at lower left, E. Newert MarsHALy 
Height, 13 inches; length, 19 inches 


102 


137. 


ATs ee ee ea ee oe ee ee 44) iste Esty 
An a ’ i Page age ee * : LMS eye es me re i 
< 3 “ pei Yom hp Stes, 

7 ¢ ‘ ~~ R * " 


THE FITZGERALD COLLECTION 


ARTHUR B. WILDER : 

American: Contemporary /3 = 

te ae 

VILLAGE AT NIGHT [Pastel] iy. Z d MS = 
A village, European in aspect, lies at the centre of the composition, _ 
in a plain before a broad hill which forms the background. Snow ~ 


covers the ground and roofs, and in the foreground banks high © 
before some evergreen trees. | 


Signed at lower left, ARTHUR B. WILDER, 1912 


Height, 18 inches; length, 24 inches 


ANDRE DELPEY 


French: Contemporary 


PORTRAIT OF AN OLD MAN {Crayon} _(/ 0M. fijelan 


Study for “Le Vieux.” The old man is seated on a stool at a 
small square table with slender legs, and is seated with back three- 
quarters to the observer, and face to the left, seen a little less than 
in profile. He is having a drink and shee the glass in his left 
hand, his right hand supporting his chin. 


Signed at lower left, ANDRE DELPEy, 1910 


Height, 24 inches; width, 18 inches 


ALEXANDER ROBINSON 


AG 
American: 1867— | ; Cie 


. GRAY MORNING, BAY OF NAPLES [Water Color] 


Slowly retreating morning mists vaguely reveal the distant shore. 
In the foreground a sailing vessel and several rowboats manned 


with fisher folk, 


Signed at lower left, ALEXANDER RosBINsoN, Naples, 1905 


Height, 181% inches; length, 24% inches 


* 3 p 
aa io) eae 


a a en ee 


“FITZGERALD COLLECTION 104 
eeicus JOHANNES GROENEWEGEN 
4 2 Dae, ica Contemporary 


LILKING TIME [Water Color} | Moke 
fe ad adjoining the farm, a group of cattle oe been assembled, 


ee 


t cn milked. In the middle distance a cluster of trees cut off the 


‘ "Ala 
vsw~ v' 
a" 


Ra Height, 194 inches; width, 13% inches 


: we FRANK WESTON BENSON, N.A. 

fey ‘a 7 # American: 1862— ) 

# 140. DU ICKS {Water Color] An GrwoG 
Se the A on the left the sea, and in the foreground shallows 


ra eat of : a bay where ducks congregate. Nine of them are now swim- 
iy Sal 4 "ming about, perking their heads in various directions. 


‘i ‘Signed at lower left, F. W. Benson, ’22 
e- i Sie Height, 13% inches; length, 19% inches 


_ JOHAN HENDRIK VAN MASTENBROCK 
Dutch: 1875— 


ia A narrow winding stream divides the town from the grassy bank in 
_, the foreground. Its well-known church tower rises majestically 
above the conglomeration of roofs of the surrounding houses. 


Signed at lower left, tJ H. vAN MasTENBROCK, ’99 
Height, 13% inches; length, 21%4 inches 


oy 141. VIEW OF DORDRECHT [Water Color} 7 é Y, Lyi th 


va 


Ll 
a“. oe 


. i‘ 
ia “ 


fea ae 


FRANK WESTON BENSON, N. MAE 


\ American: 1862— . ae —_ 
142. POLING THE RAPIDS {Water Color] Oy oi Ww 
A sportsman in black trousers and a loose white shirt is at the stren- n- 
: 2 aa ous work of poling his canoe upstream, toward the right. — The shore 
v in the foreground is coarse and rough, the blue-green water is chopp D ed 
a ‘q iid _ and foamy, and the farther bank of the stream, in the backgrou nd. 
oe is high and wooded. . ER 


Signed at lower left, F. W. Benson ae 
Height, 15% Pay ers ae wo inch ps 


- [See illustration] Mee 5 +o P. 


ALEXANDER ROBINSON 


American: 1867— 


143. THE CLOISTER WALK [Water Color] (hon. a BP; 


A picturesque vista of a sun dappled pergola; along the parapet 
| pes are vividly colored blossoms growing in gay profusion. 


| eae at lower right, ALEXANDER Rosinson, Italy 1909 - 
Height, 1834 inches; length, 24¥, inches 


WwW. DODGE MACKNIGHT 


American: 1860— his 4 h ak v 


144. DOWN THE CAPE {Water Color] 


One of the great cliffs of Cape Cod, over the top of which is seen in 4 

Ps the background the sea and in the foreground the surf breaks against _ 

‘a Ae | the shore. The cliff masses before the eye, patched meagerly with 
i verdure on its hither flank. On the crown at the right various — 
sparse vegetation adds touches of green, and russet colors also appear. _ 

Signed at lower left, Dooce MacknicHT 


Height, 1434 inches; length, 21% inches 


[See illustration] 


No. 144. DOWN THE CAPE by MACKNIGHT 


M > 

ip? > 
2. ee 
yes ee es 


a! 7 


civ 


——E a 


TE HE FITZGERALD COLLECTION 


107 
PAUL JOSEPH CONSTANTIN GABRIEL 
Dutch: 1828—1903 


o om DUTCH WINDMILL [Water Caloty i, y Jouto 


- Sombre, partly submerged marshland reaches beyond view. In the 
; distance a windmill and adjacent farm buildings clearly out- 


Td against a gray colorless sky. 
; Signed at lower right, J. GABRIEL 
ot ois Height, 13 inches; length, 20 inches 


26 ‘ADRIANUS JOHANNES GROENEWEGEN 
Dutch: Contemporary 


* 146. PLOU GHIN G [Water Color] Ar lusplel 


= = BT the foreground a plough drawn by two weaty Ris cuts d 
furrows into the dark brown soil. Vast pastures stretch beyond. 


Signed at lower left, A. J. GRoENEWEGEN 
Height, 1374 inches; length, 20% inches 


WILLIAM JAMES 


ro American: Contemporary 
oy 


Gr 
147. PINE TREES IN SUNLIGHT [Water Color] WU ig Lb: 
Sunshine illumines brightly a line of pine trees which crosses thé land- 


scape in middle distance, on the crest of a low ridge bordering a fore- 


99 ground lake. 
Signed at lower left, Wi1AM JAMEs, 1922 
Height, 13% inches; length, 19% inches 


H(). 


es 


“a 


148. 


149. 


150. 


THE FITZGERALD COLLE a 


PHILIP LITTLE 


| American: 1857— Raul a/A : 
AFTER A SOUTHEAST BREEZE {Water Color] ‘ — 


O 


The waters of a bay are well tumbled up, and with active waves well 
whitened by foam are in active motion, some half-submerged rocks _ : 
appearing in the foreground. In the background are low hills at 
either side of a water passage, and near it is a schooner under jib am : 

mainsail, headed toward the left. ‘ta 


Signed at lower left, Prtuip LirTLe 


Height, 14 inches; length, 19% inches 


ALEXANDER ROBINSON 


American: ears | ah ( aD s. 


STEPS OF AN OLD PALACE, VENICE { Water Color} 


In the foreground the canal, at the right the facade of a palace, in = 
front of which a gondola is moored. A gondolier is assisting a _ 
lady and child to embark. ‘ae 
Signed at lower right, ALEXANDER RosINson, Venice 1905 


& 
Height, 19% inches; length, 25% inches 


K. MITSUTARI 


Japanese: Contemporary 3 a 

5 Nb 

MOTHER AND CHILD [Water Color] Onn (4. a 
Portrait at full length of a young Japanese mother standing facing : 
the right, with head turned to look at the spectator. She carries her 
chubby faced infant on her back and holds a parasol over her shoul- 


der. Beyond her is another Japanese woman, also in kimono, walk- 
ing away from the observer. 


Signed at lower left, K. Mirsurari 


Height, 19 inches; width, 13 inches 


7 ow 7 y bd 
es 
a Te , B ‘ + 


aaa 


THE FITZGERALD COLLECTION 109 


JOHN WHORE 
American: 1903— 


“* a bs j? / 
151, LANDSCAPE {Water Color} ip a4 BER it 
Buildings partly dilapidated appear in the central middle distance, 3 
_ extending from the right. They reflect brilliant sunshine and are 
partly in shadow. In front of them, in the central ground, and al- 
_ so at the left, are bunches of green trees. 


Signed at lower left, Joun WHorr 
Height, 14 inches; length, 20 inches 


_ VLADIMIR PAVLOWSKY 
ae a Polish: Contemporary 
ee. / wy 

EP, 152. BOLD HEAD CLIFF {Water Color] fam Ee 
| z The great high and colorful cliff rises on the left, in chromatic maj- 
_——s esty, with broken rocks shelving at its foot. In the foreground a 

~ — low and irregular shelf lying in the sunlight connects with a higher 

9 tock on the right. In the centre two persons are standing on it. The 
sea, which fills the distance, puts in in the central foreground and ex- 
hibits slowly moving wavelets tipped with white reflections. 


See 


Signed at lower left, VLADIMIR PAvLowsky 


Height, 14% inches; length, 20% inches 


W. DODGE MACKNIGHT 
American: 1860— 


153. A WINTER TRAMP {Water Color] MA Mendkivoor~ 


A young woman, wearing a small flat hat and wrapped for cold 

_ weather, is seen in half-figure in the left foreground and facing the 

' A H. tight, out for a walk in the snow. The ground is covered with snow, 
and the trees around. Behind the pedestrian is a wooden fance. 


Signed at lower left, Dooce MAcKNIGHT 
Height, 14% inches; length, 2134 inches 


110 THE FITZGERALD COLLECTION 


W. DODGE MACKNIGHT 
American: 1860— 


154 “DOWN THE CAPE” {Water Color] 


A phrase which in Boston indicates only one cape—Cape Cod. It 
is the season of color, and the trees and. shrubbery are gorgeous in 


farther shore in the background extends a line of trees whose foliage 


is rich in reds of varying tone. Their colorful reflections enliven _ 


the foreground water. 
Signed at lower left, Dooce MackNIGHT 
\ . ‘<n Height, 15% inches; ge fi 21% inches 


70M CHARLES HERBERT WOODBURY 
a 4 American: 1864— 


\.® 155. THE BATHING BEACH [Water Color} , 


In the distance the sea is blue, and separated from the phondl by 
low dunes, which tilt forward, evidently to the bathing precincts. 
20 The broad and irregular dunes are crowded with bathers, who sit 
around in groups, sunning themselves. 
Signed at lower right, CHArLEs H. Woopsury 
Height, 16% inches; length, 22% inches 


FRANK WESTON BENSON, N.A. 


American: 1862— | | 
1554. WILD DUCKS [Water Color] .- NALA 


A covey on the wing, flying to the left in trailing lines above a green- 
ish blue sea, lashed into a burst of white spray in the foreground; 
[UU {Continued 


$n 8 ail 


ae tl autumn hues. The foRoeued is occupied by a body of water, with — 
trees still green on its border in the right foreground, and across the — 


cad re 


A RI A NS PR ANN et A 


2 


THE FI GERALD. COLLECTION 


al A 


No. 1 a ‘Concluded = 
ain (Eg eae 


ae i a Height, 144 inches; length, 2144 inches 


JANE PETERSON 
Js - : American: Contemporary 


; RITTANY {Water Color] 


n brig! it colors and brilliant sunshine a crowd of people Ys: 
in the foreground near a church, one of them holding up a parasol. 


ie. em _ There i is a celebration and on the green grass are spread various 
KI) — on 


r 


~ 


‘4. 40 2 el 
a <P 


| Signed at lower left, JANE PETERSON 
te or Height, 18 inches; length, 24 inches 


CHILDE HASSAM, N.A. 
oe American: 1859— 


157. VILLAGE SQUARE {Pastel} y ld Miellurh 


A spring picture in greens, depicting a spacious square or park in a 
generous village. Buildings are seen indistinctly in the background 
and a fence is on the right. In the middleground at left stand two 
_ young ladies, arm in arm. The park is dotted with trees, mainly 
large ones, and the ground is dappled with sunshine and shadow. 


Signed at the lower left, Cuitpe Hassam. 
| Height, 19% inches; length, 234% inches 


112 


159. 


THE FITZGERALD COLLECTION 


F. BE. WRIGHT 


American: 1849— . v ip ‘Mp7 } 


. COASTAL WATERS [Water Color] 


An inlet and a small harbor is observed in a quiet daylight which 
reflects some shadows forward on a transverse stretch of water. In 


the middle distance a schooner is tied up at a point of land which ~ 


projects from the left and supports some small waterfront frame 
buildings. 


Signed at the lower right, F. E. Wricut — 
Height, 13% inches; length, 18% inches 


JOHN WHORF 
American: 1903— yy Mire 
Fs B ML she 
AN EASTERN PORT {Water Color] 


Heavy working boats are clustered on shore after the tide has gone 
out, their sails partly up, drying in sunshine and a gentle breeze. Be- 


yond them on the left a building is seen and on the right the way 


is open to the sea, whose shallows near the shore are a deep blue and 
broken by sunlight reflections. Gulls are circling overhead. On 
and about the boats are figures of sailormen, and a woman stands 
in the foreground, back to the spectator, looking on at the scene. 


Signed at lower left, Jounn WHorF 


Height, 21% inches; length, 28% inches 


J « Ol ae tee Sap tye : i oe a = | Fe nae e ‘laa a , ve 7 
! J Aes ey oe dy bo ee 5 Sad eae ea a —— wf Br jae , pe 
ey a ae, a i : AT fan - view aS Gy * 4 Laces fs pan tae ae fis oe ae ee, rs .. a ey te be ae 
eee ree eG ee en ee ee ey fe ey EEA ee Tg er 2 < 


rt eee. ae 


Fm Sa a hae rE Nee a ls Ce 


ALD 


> COLLECTION 


r 
Se 3 
P. inte: 


AaG 


a 
repeal low trees are silhouetted against it, 
| ee ae oF thew showing that it is grass-covered, in 
ssenin, ag light. In the foreground the border of a stream. 


z t lo ies F, WaGNER 
oe Height, 9% inches; length, 12% inches 


* 


French: 1848—1901 


6 61. FRENCH SOLDIER {Panel} / telgre 


Seated on the grass in an irregular and high field a ie Infantry- 
man fully accoutred is taking his ease under his load, which is packed 
jj ys ig on his shoulders. His musket lies across his knees and he grasps 
c. it loosely. He wears a very slight moustache and looks placidly at 

the spectator. 


Signed at lower left, P. GRoLLERON 
' Height, 9% inches; length, 13 inches 


114 


ae. 


=, "NRHP FPPSE BEAL 6 6 be 
THE “PPP AGERE CORLEC Ta 


JOHN B. JOHNSTON 
American: Contemporary / 6 


. SUNSET AT QUINCY 


Clouds, reddened at sunset, hang above the bineeed over a fad of 
undulating surface, green and marked by a rude transverse fence. | ‘ 
In the foreground the sunshine tinges a pool with pink. = 


Signed at lower left, JoHN B. JoHNsTON 


Height, 9% inches; length, 13% inches ae 


CHARLES HERBERT WOODBURY 


American: 1864— 


THE BREAKER [Academy Board] a 2 lon 


A huge sea wave caught at the moment of its breaking, the crest just _ 


to left of centre and the spindrift blowing toward the right. The 
sea is in heavy motion around it, and the foam makes almost a wall 
across the sky, only a little of which appears. 


Signed at lower right, CHarLes H. Woopsury 


Height, 10 inches; length, 14 inches 


Cc. E. L. GREEN 


American: Contemporary 


. EAST SAUGUS, MASSACHUSETTS bas hacdvies 


Waterfront buildings form a group upon whict the eye looks from 
the landward side and at the left the land rises higher and trees are 
seen behind the most conspicuous of the working buildings. In — 
the centre of the foreground a woman wearing a cap and carrying 
a load on her back walks away from the spectator toward the 
water. 


Signed at lower right, C. E. L. GREEN 
Height, 10 inches; length, 14 inches 


ie tn ee | a 


_ 


THE FITZGERALD ‘COLLECTION 115 


chants HERBERT WOODBURY bi 
es = a ad a American: 1864— _ a 
Sey HILLS {Academy Board] 4, lnm 


| a to left, hills in front of you, in continuous series 
ther | Small transverse valleys are between them, and the 
valley ‘winds more or less along the left, from foreground to 


Si I dat lower hii CHartes H. Woopspury-- : 


Height, 11% inches; length, 17 inches 


meee. MEYERS 
American: Contemporary 


SPRING MORNING 


eee “ 
: 


ee 


af c impression of landscape bathed in spring sunlight; in 
a the middle ‘distance a pool of evanescent water; in the background 
~ a coppice in full leafage. Under a lavender tinted sky. 


al 


aa tees at lower left, G. C. Meyers 
Height, 13% inches; length, 14% inches 


7 P. CAMUS 
. . Contemporary VA 
167. LOW TIDE “ 
es The eye looks down the head of a coastal harbor when the tide is 
out. A bit of a mound in the foreground at the left and a simi- 
lar one in middle distance on the right mark its boundaries. The 
- surface of the harbor bottom is rough and irregular, with puddles 
of water and bits of vegetation. In the foreground is a sloop 
propped up at either side, a small boat lying at her bow, and other 
sloops lying behind her, canted over in either direction. 


a Signed at lower right, P. Camus, 1900 
on Height, 12% inches; length, 18 inches 


116 


THAE\VFITZGERALD COLLECTiIGn 


JOHN HENRY TWACHTMAN 
American: 1853—1902 


( bale 
. HARVEST SCENE {Panel} Final & ) 


A composition presenting as the conspicuous objects of interest a 


group of five French poplar trees, in central middle distance, while 
beyond them at the left is low dark wood. In the middle distance 
some figures are seen, near a growth of brush, and occasional ob- 
stacles dot the foreground. 


Signed at lower right, J. H. TwACHTMAN _ 


Height, 12 inches; length, 16 inches 


[See illustration } 


FRITS THAULOW 
Norwegian: 1847—1906 


The painter got one of his favorite views of water, running water, 
in a broad stream which occupies the greater part of the canvas. Its 
surface is engagingly dappled with light reflections and a hint of 
colorful shadow from a neighboring building. Along the left and 
in the background are lines of red brick buildings, a long and nar- 
row footbridge leading along the line of them and in the left fore- 
ground crossing the sream, which has a turn to the left. 


Signed at lower left, Frirs THauLow 


Height, 25% inches; length, 334% inches 


{See illustration ] 


ee eee Vee 777... 


No. 168. HARVEST SCENE by TWACHTMAN 


— * 


No. 169. NORWAY by THAULOW 


Rk neta 
S ee 2" = tS 


oe 


a 


LE 1E F y, ITZGERALD COLLECTION 


119 


LOUIS RITTER 
American: Contemporary 


0. » LA MAISON RO UGE, BEAULIEU ow: 


¢ Maison Rouge is an inn where the artist stayed, and appears 

in the middle distance on the left, another buiding standing in the 

> line on the right. The fecoravad 3 is a grass plot, green in 

“suns hine. The figure of a woman is seen standing in the path in 

; - fron t of the red house, and midway of the foreground toward the 
= ta a transverse ae of four pollarded trees. 

— Signed at lower left, with title, Rirrer, 1886 


Height, 13% inches; length, 18 inches 


roe. t,,. GREEN 
American: Contemporary 


a ies ee 
; 7 LANDSCAPE 7 7, Juspht 


_ Projecting from the right a low grass covered bluff comes into the 
picture, in front of it an unturfed field which extends on the left 


t. : to the distance. At the end of the bluff a tree with foliage in the 


brown of autumn, and a few other short trees visible. 


Signed at lower right, C. E. L. GREEN 
Height, 13 inches; length, 18% inches 


Let eA A RC escibeiane Saas ae eee tan 


— THE FITZGERALD COLLEC TION 


S. V. E. LEPINE 
French: Alec tok 


» 172. LA MARNE, PRES CHARENTON 


The tiver curves into view in the middle distance, = out” 
to occupy most of the foreground, and on the right is We by i 


4a? standing. The banks of the stream are richly wooded, and on . 


farther shore near the centre of the picture buildings are seen. 


Signed at lower right, Lepine 


F rom Durand-Ruel 


LOUIS EUGENE BOUDIN. 


French: 1824—1898 Chleh L 
173. UN COIN DU DOCK FLOTTANT, HAVRE {Panel} 


A narrow corner of a harbor is displayed with many vessels in evi- _ 


/ dence on either side and at the farther end. On the left the float- 
1 ss ing dock appears, with a vessel in it, and off the end of it is seena _ 
ae small boat with men passengers. The sky is a light gray and the 


harbor is filled with shadows of the numerous vessels and neighbot- 
ing structures. 


Signed at lower left, E. Boupin, ’89 


Height, 14% inches; length, 18 inches 


{See illustration] | She 


No. 173. UN COIN DU DOCK FLOTTANT, HAVRE 
By BOUDIN 


* > 
—— ~ , amily a 
‘ ra se @ 
« a 
¢ a 4 a ~ Ae ; 


a ad - -_ 7 
ae aa ares 


* Lhe — 6 a eet 


ep 


TZGER ALD _ COLLECTION 


-MAXIME MAUFRA 
_ : Beonche 1861—1918 


a 


~ 


4 AVANT LE PORT DU PALAIS, LE MATIN: BEL 


F iia m the distance the sea puts in to a protected foreground harbor, 

. the jetties ; at right and left in middle distance protected by light- 
ouses. es Wi ithin the harbor are sundry sailing craft at anchor, and 
outside are seen a few others. In the foreground a shore boat puts 


"es 3 


rar passengers through the choppy blue water sparkling with 


ae lw ik MaurRra, 1912 
Height, 16 inches; length, 22 inches 


JOSE WEISZ 

French: Contemporary Nur’ 
ey 00 Me 
175. LANDSCAPE J 


=~ Beyond a grassy foreground of wild growth a narrow stream wan- 
, . ~~ ders from the right middle distance to the left distace. On the 
Tae farther side are bushy trees short and tall, the shadow of one being 
reflected on the water, in the direction of the spectator. Clouds 
obscure the higher sky, the sunshine emerging under them. 


Signed at lower right, José Weisz 


Height, 18 inches; width, 13 inches 


ht 
ie EN MER | ay hai tee 


ty 


oho 


5 * 
ara: Seen. SP ae ne a rac St. 


The narrow street se a Hen aa. is. picture MTS in RS 


tas 


between its converging lines a horse and carriage” 


_ destrians, among them two nuns. In the — 


Sonic at lower ight, E. jae Gy oat - : - 
. | Height, 8 Suche wi 
; ate pa i j 


[See Bae a 


No. 176. CITY STREET 
By BOUDIN 


“a 


ae So 


“ 
= 


No. 177. LA CORYPHEE 
By DEGAS 


| 
: 


By. LA CORYPHEE 


) 


(0 


THE FITZGERALD COLLECTION 127 


HILAIRE GERMAIN EDGAR DEGAS 
French: 1834—1917 


be, seed Y ME 
Full-length portrait of a dancer poised on the toes of her left foot, 
with the right leg extended at greater than a right angle and her rahe 


arm extended parallel to it, while her left arm is equally extended. 
She is in bare arms and semi-transparent skirts. 


Signed at upper right, Decas, AM. Heyman 


Height, 13 inches; width, 9% inches 


[See illustration] 


178, TROUVILLE 


Not the fashionable SWS NETS | section hace a portio 1 of 

lage extending along the shore line in the middle dista 
\ ing a sea wall at which a small sailboat is moored, towarc 
and at the centre an important building whose hac v 


=~ water in front of it. At right i in middle distance i isa at we 


40 | Signed at lower right, E. Boupin, ’89 ee 
Height, 38h Inches 


[See illustration] — 


No. 178. TROUVILLE 
By BOUDIN 


No. 179. ISLE OF SHOALS 
By HASSAM 


Bee FITZGERALD COLLECTION 131 


) 
| q0 CHILDE HASSAM, N.A. 
4, American: 1859— 


179. ISLE OF SHOALS Vlak Ly lo 


A narrow point of land puts out from the right, in the middle dis- 

tance from a white shore, only a bit of which is in the picture. On 

the point are bath houses, and steps leading down to the sea. Fig- 

_ utes of young women in swimming costume are seen on a platform 

95 t0 _ beside the bath houses, and in rowboats in the foreground are other 
figures. Beyond the point are sailboats and small boats at anchor. 


Signed at lower left, Compe Hassam 


Height, 22 inches; width, 18 inches 


[See illustration } 


_THE FI TG! 


ane land. 


s y Signed at lower lef, Heney oo 1902, -. a 
7 | _ Height, 19 % ies 2 
From Durand-Ruel | ite 


[See illustration] 


No. 180. GROIX, BATEAUX DE PECHE 
By MORET 


ANOTHER VIEW OF THE COLLECTION IN THE 
FITZGERALD GALLERY AT BROOKLINE, MASS. 


, rhe bem) 
Y r= Cr Pia, : 
7 : (Bale xe ; - , 


cs Ni ‘ iP 


1LD COLLECTION 135 


- 


pag ad 


HE FITZGERA 


MAXIME MAUFRA 
ais 1861—1918 © 


e 
vas 


The e looks across lowlands and a stream to a bridge i in the mid- 
dl ie ist ce, beyond which rise some slender trees in early foliage, 
thick ‘grees tree appearing behind them near the centre. On the 
' ‘in ed middle distance some tall and slender leafless trunks are 


y near f the water and in front of a white house with a red 


at love right, Maurra, 1907 


A Height, 20 inches; length, 26 inches 


RICARDO CANALS 
Spanish: Contemporary 


: ‘ “ | Ds Wh , 
382. CIGARIERES A SEVILLE Mp rusher 


Women cigar makers in large number are seated at their work at 
long tables in a great factory of Spain, which appears to be a part 


; 6 7 of an old palace. They are on opposite sides of long tables in a 
i: palatial corridor, or a corridor which may have belonged to an old 
ae ecclesiastical building. The women seem contented at their work 
e. and one of them looks up smiling. Their costumes are of light and 
bright colors, with a generous use of red. 
, Signed at lower right, R. CANALS 
; Height, 22% inches; length, 26 inches 


From Durand-Ruel 


Bi PAYSAGE D SDE PRINTEMPS, LAV ARDIN Ay Bulmer 


THE FITZGERALD ‘COLLEC 


MAXIME eee ~ = 
French: 1861—1918 


LE PONT DE MORET SUR LOING (41 


appearing behind it. From the bridge the BEwie bank of ay ’ ES 
running forward, supports some city buildings, and the nearet bs nk 
at the left supports some thick trees clad in 1 fresh green folia 3 


Signed at lower right, Maurra, 1907 | 
Height, 20 inches; ieast 25 A inches 


tS 
cathy. 


MAXIME MAUFRA 
French: 1861—1918 


184. ST. JEAN DU DROIGHT, FINISTERE ( i/ Litdes 


At left of centre and in the middle distance a Gothic church fises — 
among some trees, which screen its lower section and extend to the - BS 
left hand limits of the canvas. To the right are other buildin . . 
of lower stature, some of them in the foreground. The left of - 
the foreground is occupied by a reaped field, near the centre of 
which a harvester stands in working clothes. The lightly clouded — 


sky is bright with sunshine, which the pleasant earth reflects. 


Signed at lower right, MAUFRA 


Height, 25% inches; length, 31 inches 
From Durand-Ruel 


{See illustration } 


No. 184. ST. JEAN DU DROIGHT, FINISTERE 
By MAUFRA 


COTEAU DU CHAPOUVAL 


185. 


O 


N 


By LOISEAU 


THE FITZGERALD COLLECTION 139 


GUSTAVE LOISEAU 


. ia French: Contemporary 2 Mig rdy 
185. COTEAU DU CHAPOUVAL 


The hill and neighboring landscape in bright sunshine, the hill ris- 
ing high in the background and falling away to the right and for- 

ward. It is covered with grass and trees with colors shifting in the 
| sunshine. In the central middle distance is a large white house 
and on the right are smaller houses, all with pointed roofs. In the 
gtassy plain of the foreground are a few short trees, and a man 


standing beside one of them looks toward the spectator. 


Signed at lower left, G. Loiszau 
Height, 21 inches; length, 26 inches 


Exhibited at the Boston Museum of Fine Arts 


{See illustration} 


186. 


ward the right, and back of it toward the I 


‘NATURE MORTE 


A tec melen of volar foe ie on a tid 


blue decoration and containing green fg si 
soft white material and the Dackground is 
iaeoness Fes ESS Rigen Oana 


ks, 


Signed at lower left, ReNoIR” Shes eS 


rs 


No. 186. NATURE MORTE 
By RENOIR 


No. 187. MME. MONET AND CHILD 
By MONET 


: 
. 
‘ 
. 


Pe oe 
a ale aA 4 at 
+ my Gl) ee" 


EGERALD COLLECTION 


ee sil a a 


Bice 


"French 38401 v6 


Se 


eee a) I aman, 97 
rait fae Bile pn tel | She j is seated outdoors on a 
bank, food ae the right, three-quarters front. At her feet 
ild sit its on the sandy ground, facing the spectator and look- 
wise ely and solemnly at an open picture book in its lap. In 
F is 2 ole and near the mother’s foot is a toy horse. The 
Z woman of pleasant features, is busily at work sew- 
a ce garment lying in her lap. She is clad in a striped 
rie uish tone intermingled with white and wears a white 
uf fon ict. _At her back the whole picture is enlivened by 
nk of flowers extending all the way across it and blossoming in 


k, aad at white against the green. 


Height, 22 inches; length, 2534 inches 


aes 3 Bihan at the Copley Society's Exhibition of Portraits by Living 
ye age ‘Painters, Boston, 1914 


~ at ‘ : 
game [See illustration} 


all their majesty and in the brilliant cual — a fed 
sees masses pres from the left i into the ete 


as is the grass at their foot, while 2 fe toward ¢ 
expanse of confused and mingled colors). OS 


Signed at lower left, CLaupz Monet, ’82 


Height, 22% inches ts 
Exhibited at the Boston Museum of Fine Arts 


{See illustration | 


No. 188. FALAISE PRES POURVILLE 
By MONET 


OISE 


jneea bs 


2» 


CONS SU 
LOISEAU 


GLA 
By 


189. 


O 


THE FITZGERALD COLLECTION 147 


GUSTAVE LOISEAU 
French: Contemporary 


¥ : 4) / 
ee ty 
a0) 189. GLACONS SUR L’OISE Auraud- (Yul 
; Ice floating on the river, in huge slabs, glistens with the reflected 
light of an invisible sun, and takes the shadows of trees which grow 
: on the bank in the middle-ground at the left. The air is thick with 
~) moisture which toward the background seems to be congealing. The 


trees in the left middleground contribute quiet color to the scene. 


Signed at lower right, G. LotsEAu, 1908 
Height, 23%4 inches; length, 32 inches 


{See illustration } 


CLAUDE ‘MONET 


of | ra : x | = | French: 1840-1926 - i 
: 190. THE HILLS OF VETHEUIL ON THE SEINE 


\S In the foreground the shallow border of a stream, ee at 
by the vigorous branches of a young tree, the bosom of brs 


tl 5h raga a rabling vile and dot a hillside ap che fal aia 
f | the towers of other ee peer. The sry be 2 one z 


Exhibited at the Boston Musuem of Fine Anis is 


[See illustration] 


LANOW “g 
MNAHLAA JO STIIH FHL °°6t “oN 


No. 191. PEASANTS IN THE FIELD 
By PISSARRO 


PHE FITZGERALD COLLECTION 151 


CAMILLE PISSARRO 
<” French: 1830—1903 


1° Sp on y), : yy 
191. PEASANTS IN THE FIELD LC Trade GM 
. 


A “Pointilliste” painting. In a field of flowery aspect a peasant is 
digging, facing the left, three-quarters front. At left of him a pea- 
sant woman holding a basket stands looking at him. In the mid- 
dy ‘ag dleground at the right a child is seated, and back of her a horse and 
cart with driver is approaching. The field extends to the distance 

and is bordered by others, and a few low trees are seen. 


Signed at lower right, C. Pissarro, 1890 
Height, 25% inches; length, 3114 inches 
From Boussod, Valadon & Company 


Reproduced in Théodore Duret’s “Histoire des Peintres Impressio- 
nistes” 


[See illustration] 


GUSTAVE LOISEAU 
French: Contemporary _ 


192. PEUPLIERS AU VENDREUIL, EURE 

/ 

y to | ©) ward toward the left. Wild grass stows all around the BS: 
SS of it under the influence of the scant foliage’s pale shadow « a 


ek 


of it sharing in the reflected sunshine. The trees in the fo 
_ wear an aspect of majesty, while others merge together. —. 


Signed at lower left, G. Loiszau, 1901 


| Height, 254 Br eth, , 
From Durand-Ruel 


| {See illustration } eS ‘ ES aula 


; 
Ss MAXIME MAUFRA 
YY French: 1861—1918 


193. LE DEPART DU PILOTE—LE SOIR oS urand- = 


In the middle of a channel in a harbor mouth a pilot boat Pr BG 
ot sail is seen headed out to sea, at the end of day. Tinges of red ap- a 
| iM pear in the clouds, and the shadows which are cast on the water by — 

3 small sailboats and two rowboats with passengers merely emphasize — 4 
the departing day. Projections of a rocky shore are seen on the a 
right, while on the left the rocky land is irregular and traversed by — 
paths, above which the uplands support rich green vegetation. 


Signed at lower right, MAUFRA, 1900 


te 
Height, 25¥, inches; length, 32 sicher i 
From Durand-Ruel | 


¥ 


. 
= 


Eig Soe 


= 


192. PEUPLIERS AU VENDREUIL, EURE 


O 


N 


By LOISEAU 


No. 194, LE SEMAPHORE, COTE DU FINISTERE, 1909 er 


By MORET 4 


» 
2 
{ 
~ 
‘ 
. 
" “ 


ern a 


THE FITZGERALD COLLECTION 155 


HENRY MORET 
French: XIX Century 


, nee | ed Z ( ‘ 


194. LE SEMAPHORE, COTE DU FINISTERE, 1909 


A sandy coast of low hills fills the greater part of the canvas, the 
land supporting green grass which grows scatteringly and is mingled 
with patches of yellow. At the top of the hill, on the left, is a low 
coastal building and near it stands a semaphore signal. On the 
right in the distance is a glimpse of the green sea. Toiling across 
the foreground and up the hill is a working team of a pair of oxen 
led by a helpful horse and drawing a wagonload of seaweed. Men 
are assisting at the labor, walking beside the cart, and two women 
follow it. 


Signed at lower left, HENry Moret, ’o9 
Height, 25% inches; length, 36 inches 


{See illustration } 


"French: 1840—1 eco ae eee 


dy | 9 GROTTE DE PORT DOMOIS, BELLE iLE 


Ruffled waters of a bay are in constant motion; in ie f ‘oregrou 
and extending back toward the left along a high and i irregula lar = 
The water is a mottled grayish-green, whitened by the ripples al 
x0 _ the shoreline. The shore presents a number of high bh of 
5 4 | regular contour and the light is that of a grayish — 


Signed at lower left, Gn Monet, °86 ae 
, | Height, “ inchess - t y ches 
ae Durand-Ruel a ve 
From the Cyrus J. Lawrence Collection, New 1 Nor 19 
Exhibited at the Boston Museum of Fine Arts ae S 


[See itnserationy 


Willihon Gabe pM 2/4, (Toa mis Rap - 
OV faureire Sol itio# a 


$ 


PB shglee HDS ep se CoQ 


+. 
Seat 7 et ed 


‘tea 


No. 195. GROTTE DE PORT DOMOIS 
By MONET 


No. 196. SPRING AT EPTE 
By MONET .. 


THE FITZGERALD COLLECTION 159 


CLAUDE MONET 
S French: 1840—1926 


196. SPRING AT EPTE VA awar , Uft 

The silent joyousness of outdoors in springtime is here, in full color. | 

Nature is smiling. The atmosphere is bland. The edge of a stream 

ut At0 ripples across the foreground, and passes reflections of neighboring 
trees. Two of them, not yet in foliage, are at the extreme left of the 

picture, and a line of slender trees extends along the background. 


The air is balmy and the light subdued, a little color appearing in 
the sky at the left. 


Signed at lower right, CLaupzE Monet 
Height, 26 inches; length, 3614 inches 


{See illustration ] 


aS 


of the Old World, with a Crucifix arn on the wna X 


creamy white surface save where the shadows tan ic Rs 


The pentitent, a woman in Se oe has hee aes 
ver as she faces the screen. eS 


Signed at the upper right, Joun = Sacer, <9 


Museum, New York 
Exhibited at the Boston Museum of Fine Arts — ee 
Exhibited at the Founders’ Exhibition, Grand Central al Galeries, Nen - 

York, 1925 | 
WK. 4 C0875 2005%A te 


{See illustration | 


7 


THE CONFESSIO 
By SARGENT 


197. 


No. 


Noy 1o8eLE REPOS SORarA 
By ANDRE 


TERRACE 


“aie 


a. “ALBERT ANDRE 


REPOS SUR LA TERRACE 


pain eta tas taking his ease on a comfortable terrace, with 
— seated and standing near him, executed by André at 

_ Renoir is seated in an open arm-chair and is seen in pro- 
e to the right, left hand raised as in a gesture of speaking. Oppo- 

ite him at right ate his three companions, a man leaning against a 
; wr ‘a and» two women. All have their hats on. In the 

-ground, between | them, is a refreshment table. Flowers are in 


: lower psf ALBERT ANDRE, 705 
Pe eres Y . Height, 26 inches; length, 36% inches 
Ze Eshi ib ited at ye Museum of Fine Arts, Boston 


i ioe 


a zt ai [See illustration} 


= 


LOUIS EUGENE BOUDIN 


199. DUNKERQUE, VUE DE LA VIEILLE EGLISE 


The picturesque tower is seen across the main body of the church, 
in the middle distance, with extensions of the buildings on the right, 
merging with buildings of the town. On the left are cottages, and 
before the line of buildings are boats at the farther shore line, 
observed across the river which forms the foreground. In the right 
foreground boys are seen standing on a circular construction in the 
river. 


Signed at lower right, E. Boupin 
Height, 16 inches; length, 21% inches 


o : | ee hibean 


French: 1824—1898 hin eg beng 


200. LA CHUTE DU PICADOR- 


201. 


_ Signed at lower left, R. CaNats 


Brad soto Al. B1t46R , p30 44 - 


RICARDO CANALS” 
Spanish: Contemporary 


The bull ring of an amphificatte crowded with spectators is 
with all the colorfulness of the costumes of the gay meri 


in the foreground, ah turns to look at the observer. Neat 
in the ring a bull is goring the horse of a fallen picador with 
dants crowding around, and off to the right an attendant 
raise to its feet Ahan fallen horse. 


From 1 Durand-Ruel | oS 
: [See illustration} — “ie - : a 
Wrashaar Sele 41412) aH a 
Kio Ja . eas y 7 i ! 


CHARLES HERBERT WOODBURY | 


American: 1864— A y by dws “a . 


CLIFFS AT OGUNQUIT 


The broad and uneven flank of a great a is presented to view, ee 
with snow resting in the hollows and the exposed surfaces black and 
reddish-brown in aspect. Looking over the decline of the cliff to- 
watd the left the eye sees an expanse of placid ocean. a 


Signed at lower right, CHartes H. Woopsury ei 
Height, 36% inches; length, 48 inches 


qa 


ay Bi ge 


No. 200. LA CHUTE DU PICADOR 
. By CANALS 


ee ee ee a a | 


No. 203. SARDINE FISHING VILLAGE 
By MAUFRA ae 


pe rs ITZGERALD COLLECTION 


. he Bee ee ate > 


Se s ~ ae ae * inetican! 1888—_ 
cans orcas hil 
Eight A rians are - depicted, five of them standing facing the ob- 
oki on at a card game which is being played by two 


Height, 58 inches; width, 45 inches 


ss MAXIME MAUFRA 


wee ; _ French: 1861—1918 Gj if 7 
203. SARDINE FISHING VILLAGE, BRITTANY 

ae ‘The village rambles round the head of a narrow bay which puts in 

from the right, occupying the middle distance of the canvas. Its 

blue surface is ruffled with lighter patches. Hills rise high above 

the water all around, and in the foreground a wide road winds down 

to the sea. Village cottages in picturesque array are variously 


grouped on the sidehills, and a few trees are in evidence. The light 
sky is patched with puffs of white cloud with reddish tinges. 


Signed at lower right, MAuFRA, 1903 


Height, 46 inches; length, 72 inches 
From Durand-Ruel 


{See illustration} 


168 


/ = 
[5 
205. 
3p eee 
AM V 
206 


THE FITZGERALD COLLECTION == 


CHARLES HERBERT WOODBURY 
American: 1864— 


. WINTER LANDSCAPE U: (erage 


The eye looks upon a broad hillside covered with snow, the fore- — 


ground supporting a number of graceful trees scattered about it. 
More trees appear in the middleground, and high in the background 
numerous houses crown the hill. 
Signed at lower left, CHartes H. Woopsury: 

Height, 29 inches; length, 36 inches 


GEORGE H. HALLOWELL 
American: 1872—1926 op “9 


WINTER fp byl : 


Desolation is pictured. In a mountainous region oné looks across 
a ridge deep with snow, and across a valley next it where the dark 
green tops of pine trees show above the nearer ridge, to a second 
tidge beyond. On the crown of the first ridge straight before the 
eye grow two huge trees only a few feet of whose trunks appear in 
the picture. 


Signed at lower right, Gzorcz H. HaLttoweiy 
Height, 26% inches; width, 19% inches 


THEODORE WENDEL 


American: 1859— 


. NEW ENGLAND WINTER SCENE Won rf 


A winter scene at Essex, Massachusetts. A winding road curves 
from the right foreground to the left middle distance, around a por- 
tion of a field which discloses strands of yellowish vegetation rising 
through its covering of snow. On the farther side of the road are 
houses with red brick chimneys, and slender trees, the roofs and the 
trees all sprinkled with snow. 


Signed at lower right, THEoporE WENDEL 
Height, 26 inches; length, 29 inches 
{See illustration} | 


ee a 


NEW ENGLAND WINTER SCENE 
By WENDEL 


No. 206. 


= i 
— f a ‘ ; ‘ } 
- _— = 3 a a . » be oe i 
RP EY OA TM RSE en FE ee | 


No. 207. THE HURRICANE 
By WOODBURY - 


ee ore sls 
7 "HE estostas COLLECTION 
a ‘e- te 
at 
CHARLES HERBERT WOODBURY 
as American: 1864— 


207. THE HURRICANE — ce yi Ue Leaver, agt 


3 A noble marine painting with swelling seas mounting high and spin- 
er, drift shooting off. No man nor craft visible; just the surge of the 


=) age in paint. The great wave seems to be mounting to- 
ae d the left, under a dull sky. 


pned at the lower left, Cartes H. Woopsury, 1922 


ae; a, 


———- Height, 54% inches; length, 72 inches 
. Exhibited at the National Academy of Design, New York 


- ie 
ae fh es — 


we 


{See illustration] 


ce -——s HELEN DUNCAN 
ge ee ee tas American: Contemporary | 
| LEAVES AND FRUIT ) th hag law 


| A still life of large proportions, with huge red apples offering lus- 
____ cious suggestions as they lie on a loose white covering over a table. 
- — A black pitcher just beyond them exposes richly brilliant reflections 
‘2. and contains a huge bouquet of large green leaves. Brilliant back- 
---—s ground reflecting lights of varied color. 
Signed at the lower left, HELEN DuNcAN 
Height, 25 inches; length, 30 inches 


CHARLES HERBERT WOODBURY 
American: 1864— 


209. OGUNQUIT, MAINE Wy | b Mend ort tn 
A massive summit, with various flanking hills rising from its mas- 
‘3 sive body, nearly fills the composition, its skyline being high and the 
; 4 “picture revealing above it only a narrow bit of sky with heavy white 
a clouds. The varying surfaces of the great hill are many-colored. 
High on the left two men are seated. 
Height, 24 inches; length, 364 inches 


172 THE FITZGERALD COLLECTION 
q 


COLIN ALEXANDER SCOTT 


Canadian: 1861— 


a 
i 
210. HEMLOCKS IN WINTER 1 [7 amare, Us : 


A grove or small wood of hemlocks growing on a side hill are de- 

y picted in bright sunshine on a winter day. Many of the branches __ 

94 | i are laden with snow, which lies thick on the ground interrupted by 
. many tree shadows. The sky is cold and bright. : 


a 


f,. 
Signed at lower left, Cotin A. Scott : 
Height, 24 inches; length, 28 inches 
Exhibited at the Boston Art Club and at a Memorial Exhibition at 

the Twentieth Century Club of Boston 


MAXIME MAUFRA 
French: 1861—1918 hie # Filled 


211. MOULIN AU BORD DU CANAL, PRES DAMME DE 
BRUGES 


In the right foreground the green and flat bank of a canal which 
rain oe runs back toward the right, the bank lined with a row of slender 
hes trees. Beyond the trees a sandy pathway in which figures are seen, 

and in the distance some buildings. On the opposite bank of the 

canal, near the centre of the composition, a white windmill, and 
further to left more trees. 


Signed at lower right, Maurra, 1895 
Height, 24 inches; length, 29 inches 


JOHN WHORF 


American: 1903— 
212. IN PORT NM . 


A wharf with a rude ladder leading up its side comes into a pi 
in the left foreground, a few outlying pillars extending toward Re 
middle distance. Alongside the line of pillars and headed toward 


[Continued 


f—o 
PCF Oa, 
O\ 


Pe : Cort ey rs > _ : 
e dt Soe : in. 1 we ie 

bp gts: . i a 
iiiteension —— ome a sai oe ae 


PRE “FITZGERALD COLLECTION 173 
No. 21 212. PGoacleded 


s the observer lies the great hull of a freight carrier. In a dory in front 
of it are seen two figures. Astern of it is a ship with sails up, its 
tall canvas rising above the picture limits. 


| Signed at festa left, Joun Wuorr 


Height, 22 inches; length, 30 inches 


seg JOHN J. ENNEKING 
an American: 1841—1916 
Bias, Thew 

233, "AUTUMN LANDSCAPE, SUGAR MAPLES Yr eke 
; a7, A great well rounded and wide spreading maple tree whose foliage 

ore ‘is all red stands near the centre of the middleground and dominates 

be as the picture. Lesser trees at the left are also in autumn coloring, 

Jag _ while behind the big tree is a lesser tree whose foliage is still wholly 

green. From the trees the land descends slightly to a pool in the 


‘ a left foreground. The sky is blue, with floating white clouds. 
Bae Signed at lower right, ENNEKING, ’91 


Height, 22 inches; length, 30 inches 


CHARLES H. HAYDEN 


: American: 1856—1901 f2 lonA ae 4 
*) : Vi 
LANDSCAPE / VA 4 ll, 


A river flows between the right foreground and the left middle dis- 
tance, with a low shore of wild grass in the left foreground. _Be- 
yond the grass, on the left in middle distance, is a series of build- 
ings, and a bridge crossing the stream to the bank on the right, where 
more buildings are seen. All is in sunshine under a brilliant sky. 


Signed at lower left, C. H. HaypEn 
Height, 18 inches; length, 22 inches 


. VENICE 


THE> FITZGERALD COLLECTION 


AARON BECKMAN 


Contemporary } Nord 


The spectator looks directly at Saint Mark’s Cathedral from a point 
in the open square with a corner of the Campanile coming into view 
on the right. The towers and minarets vary the picture, which is 
brightened by colorful banners flying from various posts. Men and 
young women, some with parasols, are standing or strolling about, 
and the whole is in brilliant sunshine. 


Signed at lower right, AARON BEcKMAN, Venice 


Height, 151% inches; length, 19% inches 


[END OF SECOND AND LAST SESSION] 


‘ox ze s 

ia pe 
Ce "OF ARTI 
antes 


4 


“THEIR WORKS 


| REPRESENTED AND 


= : icine | in Holland [Water Color] 
utc ch Street [Water Color] 


Per 


— 


re 


3 SNS ON, ae Weston, N.A. 

a Gray Morning [Water Color} 
ham [Water Color} 
: ne _ Ducks [Water Color] 
ih = Poling the Rapids [Water Color] 
Wild Ducks [Water Color] 


_o 


EY, Dwicut 
Tihonet Pond, Wareham [Water Color] 


BC ONHEUR, Rosa 


7 
» AE Pong 


; = ~The King of Beasts at Home [Crayon Drawing] 
- BOUDIN, Louis EuGENE 

Embouchure de la Riviére—Trouville 

Le Quai de La Marine a Villefranche 

By the River [Water Color] 

Un Coin du Dock Flottant, Havre {Panel} 

City Street [Panel] 

Trouville 

Dunkerque, Vue de la Vieille Eglise 


215 


34 
39 
140 
142 
I55A 


44 


Io 


2 | BROWN, + Asrueae? N. AS 
eae The Brook Reflections — 
3 ~ Apple Blossom Time a : 


CAMUS, P. 
Low Tide 


CANALS, Ricarpo 


% a ee 
ee 
r4 i; 
2 


tt | 3 
ae Danseuses Espagnoles ai 
2 Cigariéres a Seville — SN 
= La Chute du Picador , 
5 COLE, J. Foxcrort 

. Landscape—Ville d’Avray 


Near Anasquam 


CONTE, A. [?} 
Zeeland [Water Color | 


CORDERO, F. 
Landscape with Buildings 


DEGAS, Hivare Germain Epcar 
La Coryphée 


DELPEY, ANpRE 
Portrait of an Old Man Crave 


D’ESPAGNAT, GeorcGEs 
Woman Tending Flowers 
Spanish Road Scene 
Nature Morte 


oe 0 ie 
, Jacosus oat ree 
t de PEau [Water Color] 


an itumn Landscape, Sugar Maples _ 213 
=a a J 


, PAUL Deaton CoNsTANTIN 


Das Windmill [W. ater Color} 145 


1 


cin n the Country {Water Color} 2 


wen 


, - 
GC SOODWI THUR CLIFTON 


Eg ae Boston [Pastel } 36 
oF aa Boston [Pastel] 131 


. “598 E. L, 
a "Bast essa, Massachusetts _ 164 


cose ! 171 


GR AC EM EW GEN, ApRIANUS JOHANNES 

Ce  Ploughing {Water Color] 27 
7 te Cattle in Pasture [Water Color] 31 
i On the Meadows [Water Color} 121 


Milking Time [Water Color] 139 

Ploughing [Water Color} 146 
ke iF OLLERON, Paut Louis NarcissE 

French Soldier [Panel] 161 


E, Pump Lesuir, N.A. 
Portrait of a Young Lady [Crayon] 9 


_ HALLOWELL, Georce H. 


Foxes 114 
Winter 205 


_ HASSAM, Cute, ‘NA. Saber s 
Dutch Figures. [Water Color} : 
Springtime Landscape [Panel] _ 
ie Square [Pastel] 

Isle of Shoals 


HAYDEN, Cums Ht ti(‘“<(a‘( i‘ 
Landscape — | 


HIRSCHBERG, Atice 
A Willow [Water Color] 


HOMER, Winstow, N.A. 
The Portage [Water Color] 


HOPKINS, Georce E. | 
In the Fields [Water Color] 


JAMES, WILLIAM 
Pine Trees in Sunlight [Water Colac 


JOHNSTON, Jouwn B. 
Sunset at Quincy 


, SSG RTEN S- 
Lady of the Sixteenth Century [Water Color] 


KINSELLA, James 
A Bit of Holland ee Cold} 


KOSTER, A. L. 
Tulip Time [Water Color} 


LEPINE, S. V. E. 


La Marne, prés Charenton 


LESREL, ApotpHe ALEXANDRE 
Cavalier [Panel } 


* rae id oa re; 
ik Dp dit Se a yrs) 
. TTLE, | -AUL P. 
4 a > 


Old Weir, MacMahan Island [Water Color] 28 


a i “Sunli Shores, Sheepscote Bay 100 
| After a Southeast Breeze [Water Sse 148 


LOISE: 3. ak 
“Les Bords de I’Eure, Normandie 94 
tec u du Chapouval 185 
ago sur [’Oise 189 
ay au Vendreuil, Eure 192 


au a =~ ~~ 
— ” 


ACK sae NIGHT, W. Dopce 

Snow: {Water Color} 35 

—— Hibisc [Water Color} 45 
_ Mending i in the Sunlight [Water Color] 46 

= The- Red House, Winter [Water Color} 50 

oe Coastal Scene {Water Color} 55 


5s: Chrysanthemums [Water Color] 59 
aie ~ Down the Cape [Water Color] 144 
a A Winter Tramp [Water Color] : 153 


* 


oe: ; — the Cape” [Water Color] 154 


M MIA 2SHALL, E, Newey 
. Parrot and Fruit [Water Color] 24 
-Paroquet and Peaches [Water Color] 135 


-MAUFRA, Maxime 


Fishing Smacks at Sea 75 
A Port at Belle Isle 82 
Le Matin—Port Marly 85 
La Riviére | 88 
Soleil de Printemps—Le Gué du Loir go 
Bateau a la Cote Morgat 105 
Avant le Port du Palais, le Matin; Belle Ile en Mer 174 
Paysage de Printemps, Lavardin 181 


[Continued 


MAUPRA, : Ree oncluded | 


zi Pont de Moret sur Loing Pine ea ke ag ; a 
St. Jean du Droight, Finistére — mare 
re Départ du Pilote—Le Soit 


Sardine Fishing Village, Brittany | 0 
Moulin au Bord du Canal, pres Damme de Brags cea 


MAUVE, ANTON 
The White Cow [Panel} 


McCLURE, F. A. 
Boats Hauled Out [Water Color] | 


METCALF, Wittarp Leroy 


Afternoon by the River 
Landscape {Panel} 
The Lily Pond 


MEYERS, G. C. 
Spring Morning 


MITSUTARI, K. 
Mother and Child [Water Color} 


MONET, CLaupE 


La Cabane 

Coucher de la Soleil sur la Seine; Effet d’Hiver 
In Rural France 

Fishing Boats at Etretat 

Madame Monet and Child 

Falaise prés Pourville 

The Hills of Vétheuil on the Seine 

Grotte de Port Domois, Belle Ile 

Spring at Epte 


MORET, Henry 


Le Port de Paul, Goazec 

L’Ile de Groix—Bateaux de Péche 
Groix, Bateaux de Péche 

Le Sémaphore, Cote du Finistére, 1909 


en) 


ihe id Sisiatns [Water Color} 


‘lov ors s [Water Color} 22 | 
: Plum: Rosa [Water Color] 123 , 
oo Flowers { Water Color] ‘ 125 

—— [Water Some 129 


+. = 


AVL /Lowsky, VLADIMIR 

2 Fi es bour Entrance {Water Color] 4l 
* Gloucester Harbor [Water Color] 57 
EY Bald Head Cliff [Water Color} 152 
; C - a a) 

RSON, JANE _ 

pass 1 Beng War Color} 156 


: & 


‘i SSAI A \R RRO, Gisarcs 
a sie sal Peasants in the Field IQI 


- 
- - i. 


| NDERGAST, Maurice B. 
Seedy of Flowers [Water Color] 32 


RENOIR ee ania 
es Nature Morte 186 


i 
_ 


RIP, Wittem Corn is 


—— Marshland [Water Color] 30 
"RIPLEY, A. L. 
Moorish Scene [Water Color] 33 
RITTER, Louis 
Landscape [Water Color] 116 


La Maison Rouge, or Spring, Beaulieu 170 


ROBINSON, AuexanneR 3 


Driving Home the Flock Water Color} 

Fish Market under Umbrellas [Water — 
Verona [Water Color | 

Verona [Water Color} 

Village Street [Water Color] 

Holland [Water Color] : 

Bridges at Florence [Water Color} 

Italian Harbor Scene [Water Color] 

Florence, Ponte Vecchia [Water Color] 

Gray Morning, Bay of Naples [Water Color} 
The Cloister Walk [Water Color] 

Steps of an Old Palace, Venice [Water Color} 


SARGENT, JouHn Sincer, N.A., R.A. 
The Confession 


SCOTT, Corin ALEXANDER 
Hemlocks in Winter 


SERRET, C. 


Children [Pastel] 
Children at Play [Pastel] 


SISLEY, ALFrep 


Paysage sur le Loing 
Les Bords du Loing a Moret, prés Fontainebleau 


SLADE, C. ArNo.p 


Rocks Off the Coast 
A Game of Cards 


STEELINK, Wittem 
Shepherd and His Flock [Water Color} 


SUTTON, Harry, Jr. 
Winter [Water Color} 


‘Pont sur la Seine a Patis 


, JoHN Henry 


© ott ge and Barns [Panel] 
pe on the Seine at Neuilly [Panel] 
it Scene [Panel} 


ae a 
io 


JNIDED 4 FE { a 


‘Village Landscape {Panel} 
i _ nd = a at Eventide 


AN | DER WEELE, H. J. 
On the 5 i [Water Color] 


1 DRIESTEN, A. T. 
Be eiiciime in Holland [Water Color] 


2 TAD ’ .N MASTENBROCK, Jan Henorik 

Canal Scene in Winter fWater Color} 

Dutch Canal Scene [Water Color] 

- _Harbor Scene [Water Color] 

On the River [Water Color] 
_-View of Dordrecht [Water Color] 


VIN ON, Freperic Porter, N.A. 
- Cernay la Ville [Panel] 


WAGNER, F. 

, 

A 

_ WALKER, Henry OLIveR 
: Momentary Repose 


Windmill on the Sandflats {Water Color} 


168 


134 


40 


13 
26 


9 


130 
141 


63 


160 


73 


WEEKS, Eset Loa oe 
Algerian Travelers (Panel) ek ce a = 


WEIR, Junin Atpen, P.N.A. a a 
A Corner of the Farm — Ee 2 ee 


Harvest 


WEISSENBRUCK, JoHANNes HENpRIK 


In Holland [Water Color} 
Household Labors [Water Color} 


WEISZ, José 7 = or 


WENDEL, THEoporE 
New England Winter Scene 


WHITTEMORE, Wiuiam Jonn” ae 
East Gloucester [Water Color] 


WHORF, Joun 
Landscape with Figures [Water Color} 
Rocks in Winter [Water Color] 
Landscape [Water Color] , 
An Eastern Port [Water Cae 
In Port 


WILDER, Artuur B. 


On the Meadows [Water Color} 
Woodstock, Vermont [Water Color} 
Moonlight on the River, Woodstock [Water Color} 
Corner of a Village in Winter [Water Color} : 
Village at Night [Pastel] 


WITTE, J. 
Antwerp [Water Color] 


ues va 
B JR a , Canna ipa 


2am 
a ae 


homas, West Indies te Color} 


w Scene 
‘Mou oun Plactatnock, New Hampshire 


‘7 he Bathing Beach {Water Color} 155 
a ee har age [Academy Board] 163 : 
ng, the, Fills ery Board } 165 


APPRAISALS FOR 
UNITED STATES & STATE TAX 
; INSURANCE & OTHER PURPOSES 
e CATALOGUES OF PRIVATE 

COLLECTIONS 


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Te HE American Art Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
1] The Association is prepared to supplement 
ite this appraisal work by making catalogues of pri- 
| vate libraries, of the contents of homes or of entire 
estates, such catalogues to be modeled after the fine 

and intelligently produced sales’ catalogues of the 
cAssociation. ce Upon request the Association 

will furnish the names of many trust and insurance 
companies, executors, administrators, trustees, 
attorneys and private individuals for whom the 
Association has made appraisements which not 

only have been entirely satisfactory to them, 

but have been accepted by the United States 

Estate Tax Bureau, the State Tax (Commission 

and others in interest. 


‘ —_., ahead tes = 


AMERICAN ART ASSOCIATION +: INC 
cMadison Avenue at 57th Street 


NEW YORK 


AND BINDING BY 


_ COMPOSITION, PRESSWORK 


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OE pee hesea eet ; 4: trai 


a abe zr 
poder oi te® 


48 
~ 


ie 88 44 Bs 
spb ee 
Tot: 


pare as fee 
ot 

ert of hour 

PYRE OR PTT 


* 
iy a nts 


of 52 preyed 9 eae > - 7 
ab pre sige ak a baasere 3 iy 3 9! : e + cad pert ‘ ’ : 


aie 


> yt ays Palys ya isa /) q + if ly - . , = . +e ee A 
sb aby papers ers ; 


eb ores 


ooony eek 


oeetoere 
ae fan eee 


